Community Radio Around the World

Wednesday, 17 February 2010

[creative-radio] ethnopoetics : soundings (MP3) Spells and incantations, what we call magic words, the sacred language of paganism

ethnopoetics : soundings

ETHNOPOETICS http://ow.ly/189wd <http://ow.ly/189wd>

Poems performed are poems sounded, where the sounding by the voice or by
instruments acting as surrogate voices can bring a new sense of
power/empowerment to performers and auditors. The further extensions and
transformations of voice move it closer and closer to "the condition of
music," to the point where words and syntax — the common constituents of
language — are obscured, subordinated, or totally abandoned. The push toward
such a poetry has long been present at the far limits of the modernist
project and with it the recognition of similar processes and works outside
of literature as such. Thus Velimir Khlebnikov, early in the game, with
reference to a traditional Russian poetry equivalent to his newly minted *
zaum* language:

Spells and incantations, what we call magic words, the sacred language of
paganism … are rows of mere syllables which the intellect can make no sense
of, and they form a kind of beyondsense [*zaum*] language in folk speech.
Nevertheless an enormous power over mankind is attributed to these
incomprehensible and magic spells, a direct influence upon the fate of man.
… The magic in a word remains magic even if it is not understood and loses
none of its power. Poems may be understandable or they may not, but they
must be good, they must be truthful. (Translation from the Russian by Paul
Schmidt)

Magic, then, is the first key and from this the idea of a special language
or series of languages, extraordinary in their nature and effect, and
uniting the user (through what Malinowski called "the coefficient of
weirdness") with the beings and things he's trying to influence or connect
with for a sharing of power, participation in a life beyond his own, beyond
the human, etc.

The selections presented here will explore a range of such extra-literary
soundworks as caught on audio recordings — both in the sacred/magical
contexts envisioned by Khlebnikov and in areas of free play and secular
improvisation.

RT @mediamentor: Ca Dao: Vietnamese Folk Poems http://ow.ly/189uf #MP3

RT @mediamentor: Ella Fitzgerald http://ow.ly/189sn #MP3 lautgedichte or
scat singing "Lady Be Good!" 1957 (Verve / PolyGram)

RT @mediamentor: Canntaireachd http://ow.ly/189qW #MP3 classical form of
Gaelic bagpipe #music

RT @mediamentor: Maria Sabina http://ow.ly/189j4 #MP3 Mushroom Ceremony of
the #Mazatec #Indians of #Mexico, Folkways Records #indigenous #music + text

RT @mediamentor: Indonesian Ketjack http://ow.ly/1896f Ramayana Monkey
#Chant #mp3 Performed by more than 200 men seated in tight concentric
circles #music

RT @mediamentor: #Celtic #Mouth #Music (puirt-a-beul)
http://ow.ly/188Xz#mp3 "La Bolduc"? a.k.a. diddling, lilting, jigging,
chin music, cheek music

[Non-text portions of this message have been removed]

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ethnopoetics : soundings (MP3) Spells and incantations, what we call magic words, the sacred language of paganism

ethnopoetics : soundings

ETHNOPOETICS http://ow.ly/189wd

Poems performed are poems sounded, where the sounding by the voice or by instruments acting as surrogate voices can bring a new sense of power/empowerment to performers and auditors. The further extensions and transformations of voice move it closer and closer to "the condition of music," to the point where words and syntax — the common constituents of language — are obscured, subordinated, or totally abandoned. The push toward such a poetry has long been present at the far limits of the modernist project and with it the recognition of similar processes and works outside of literature as such. Thus Velimir Khlebnikov, early in the game, with reference to a traditional Russian poetry equivalent to his newly minted zaum language:

Spells and incantations, what we call magic words, the sacred language of paganism … are rows of mere syllables which the intellect can make no sense of, and they form a kind of beyondsense [zaum] language in folk speech. Nevertheless an enormous power over mankind is attributed to these incomprehensible and magic spells, a direct influence upon the fate of man. … The magic in a word remains magic even if it is not understood and loses none of its power. Poems may be understandable or they may not, but they must be good, they must be truthful. (Translation from the Russian by Paul Schmidt)

Magic, then, is the first key and from this the idea of a special language or series of languages, extraordinary in their nature and effect, and uniting the user (through what Malinowski called "the coefficient of weirdness") with the beings and things he's trying to influence or connect with for a sharing of power, participation in a life beyond his own, beyond the human, etc.

The selections presented here will explore a range of such extra-literary soundworks as caught on audio recordings — both in the sacred/magical contexts envisioned by Khlebnikov and in areas of free play and secular improvisation.

RT @mediamentor: Ca Dao: Vietnamese Folk Poems http://ow.ly/189uf #MP3

RT @mediamentor: Ella Fitzgerald http://ow.ly/189sn #MP3 lautgedichte or scat singing "Lady Be Good!" 1957 (Verve / PolyGram)

RT @mediamentor: Canntaireachd http://ow.ly/189qW #MP3 classical form of Gaelic bagpipe #music

RT @mediamentor: Maria Sabina http://ow.ly/189j4 #MP3 Mushroom Ceremony of the #Mazatec #Indians of #Mexico, Folkways Records #indigenous #music + text

RT @mediamentor: Indonesian Ketjack http://ow.ly/1896f Ramayana Monkey #Chant #mp3 Performed by more than 200 men seated in tight concentric circles #music

RT @mediamentor: #Celtic #Mouth #Music (puirt-a-beul) http://ow.ly/188Xz #mp3 "La Bolduc"? a.k.a. diddling, lilting, jigging, chin music, cheek music

Tuesday, 16 February 2010

[creative-radio] NGOs Must Harness Social Media Beyond Disaster Relief

RT @mediamentor: RT @PBSMediaShift: NGOs Must Harness Social Media Beyond
Disaster Relief | PBS
http://ow.ly/187CT

[excerpt - see URL for embedded links]

When the 7.0 magnitude earthquake struck Port-au-Prince, Haiti, Doctors
Without Borders had 1,300 followers on Twitter. Now, it boasts over
13,000. The Red Cross follower count shot up by just over 40,000 people in
the weeks following the quake. If technology wasn't already transforming
the public role of the non-governmental organization, it has now brought
many to a point of no return.

Bigger Followings Mean Bigger Responsibility

As Jason Cone, the communications director for Doctors Without Borders,
noted during New York's recent Social Media Week, the earthquake was a
"game changer in the way [his organization] thinks about social networks
and [their] application."

"Social media might actually be a means for us to mobilize and overcome
some of the real serious obstacles we had been facing," he said.

Cone was getting at an idea that thinkers in the field had been suggesting
before the quake struck: For civil society to evolve alongside technology,
organizations must envision ways to better harness new media at all times
-- not just when disaster strikes.

"How long will it be before international development and humanitarian
NGOs see their supporter base eroded by digital native organizations such
as Kiva and Avaaz?" asked Lokman Tsui at the Nieman Journalism Lab.

Non-governmental organizations are taking on new roles as large-scale
transmitters of information. This also means that they have a greater
responsibility to share news with each other, not only with the population
at large. The easier it becomes to disseminate information, the more
pressing the call to formally share resources across organizational lines
in the name of cooperation.

[...]

UNICEF USA uses Flickr to share photos from their Haiti disaster relief
efforts

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This e-mail service is edited, managed and moderated by
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Make a donation via PayPal:
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Creative-Radio is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

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Caveat Lector- Disclaimers, NOTES TO EDITORS
& (c) information may be found @
http://members.tripod.com/~media002/disclaimer.htm
This work is licensed under a
Creative Commons Developing Nations license.
http://creativecommons.org/licenses/devnations/2.0/
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Because of the nature of email & the WWW,
please check ALL sources & subjects.
Members who post to this list retain their copyright but grant a non-exclusive license to others to forward any message posted here. They also grant the list owner permission to maintain an archive or approve the archiving of list messages.
Other use of e-mail to this list requires the permission of individual writers

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[creative-radio] Pirate radio set to go live for Olympics

Pirate radio set to go live for Olympics

http://thetyee.ca/Blogs/TheHook/Media/2010/02/12/PirateRadio/

By Kevin Murray
February 12, 2010

A pirate radio station is set to broadcast from VIVO Media Arts at 7 p.m. on
Saturday, February 13, as part of their 2010: Safe Assembly forums.

According to the website, http://vivoeveningnews.wordpress.com/ the initial
broadcast, The Evening News, will feature a roster of critical Olympics
observers, including the outspoken activist and UBC professor Chris Shaw,
author of Five Ring Circus, Harsha Wallia of the Olympics Resistance
Network, and Micheal Vonn of the BC Civil Liberties Association.

Professors Roger Farr and Reg Johanson from Capilano University are also
scheduled to provide poetry and commentary on "security and suppression."

"We wanted [anyone] to use it how they see fit," explains Alex Muir of
Soundscapes Co-Op radio. He is the technical guru behind the modest station,
which includes a mixing desk, an audio compressor, and a transmitter. "The
symbols and signs of [the Olympics] are so carefully minced over that it's a
political thing to have people address through this media form." He
describes it as an opportunity for the public "to react."

The signal will have a tentative range of about 6 kilometers, but "it's a
matter of [antenna] length" says Nicholas Perrin, a member of the broadcast
collective.

"We're close to the Olympic Village . . . if we hit Strathcona and Main
Street, great," says Muir.

Muir and his small team of collaborators are hoping for a "clandestine news
source . . . something you could happen upon."

The intention is to provide an alternative view of what being host to the
International Olympics Committee really means, says Muir.

The broadcast crew believes that their signal will be allowed by the
Canadian Radio Television and Telecommunications Commission, which normally
restricts radio signal usage to licensed broadcasters, due to an exemption
clause that allows for low-power signals at special events, such as the
CBC's September broadcast from the Surrey Museum. The clause prohibits
unlicensed broadcast, however, and according to section 9, restricts
"programming that is religious or political in nature."

According to an email from Lauren Ehrenworth, a media relations officer for
Industry Canada, these types of broadcast can "cause interference to
existing public safety radio operations and aeronautical radio navigation
and communications and could interfere with reception from properly licensed
radio broadcasting stations in the surrounding area."

Ehrenworth makes it clear that it is their objective to "achieve voluntary
compliance through an approach of cooperation and education with the
operator(s) as a first step in redressing the situation."

The future of this pirate broadcast does not just depend on radio, however.
The VIVO website
http://www.videoinstudios.com/ will stream the signal for the duration of
the games, regardless. The main frequency itself, 91.5 FM, can also be
adjusted if the need arises.
--

Kevin Murray is covering the Olympics as part of his practicum at The Tyee.

.

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Pirate radio set to go live for Olympics

http://thetyee.ca/Blogs/TheHook/Media/2010/02/12/PirateRadio/

By Kevin Murray
February 12, 2010

A pirate radio station is set to broadcast from VIVO Media Arts at 7 p.m. on Saturday, February 13, as part of their 2010: Safe Assembly forums.

According to the website, http://vivoeveningnews.wordpress.com/ the initial broadcast, The Evening News, will feature a roster of critical Olympics observers, including the outspoken activist and UBC professor Chris Shaw, author of Five Ring Circus, Harsha Wallia of the Olympics Resistance Network, and Micheal Vonn of the BC Civil Liberties Association.

Professors Roger Farr and Reg Johanson from Capilano University are also scheduled to provide poetry and commentary on "security and suppression."

"We wanted [anyone] to use it how they see fit," explains Alex Muir of Soundscapes Co-Op radio. He is the technical guru behind the modest station, which includes a mixing desk, an audio compressor, and a transmitter. "The symbols and signs of [the Olympics] are so carefully minced over that it's a political thing to have people address through this media form." He describes it as an opportunity for the public "to react."

The signal will have a tentative range of about 6 kilometers, but "it's a matter of [antenna] length" says Nicholas Perrin, a member of the broadcast collective.

"We're close to the Olympic Village . . . if we hit Strathcona and Main Street, great," says Muir.

Muir and his small team of collaborators are hoping for a "clandestine news source . . . something you could happen upon."

The intention is to provide an alternative view of what being host to the International Olympics Committee really means, says Muir.

The broadcast crew believes that their signal will be allowed by the Canadian Radio Television and Telecommunications Commission, which normally restricts radio signal usage to licensed broadcasters, due to an exemption clause that allows for low-power signals at special events, such as the CBC's September broadcast from the Surrey Museum. The clause prohibits unlicensed broadcast, however, and according to section 9, restricts "programming that is religious or political in nature."

According to an email from Lauren Ehrenworth, a media relations officer for Industry Canada, these types of broadcast can "cause interference to existing public safety radio operations and aeronautical radio navigation and communications and could interfere with reception from properly licensed radio broadcasting stations in the surrounding area."

Ehrenworth makes it clear that it is their objective to "achieve voluntary compliance through an approach of cooperation and education with the operator(s) as a first step in redressing the situation."

The future of this pirate broadcast does not just depend on radio, however. The VIVO website
http://www.videoinstudios.com/ will stream the signal for the duration of the games, regardless. The main frequency itself, 91.5 FM, can also be adjusted if the need arises.
--

Kevin Murray is covering the Olympics as part of his practicum at The Tyee.

.

_________________________________________________________________

The International Microradio Network

You received this message as a subscriber on the list:
microradio@lists.riseup.net

For all list information and functions, including changing
your subscription mode and options, visit the Web page:
http://lists.riseup.net/www/info/microradio

Saturday, 13 February 2010

[creative-radio] INDIA: Orissa's first community radio station goes on air

Orissa's first community radio station goes on air

http://ow.ly/17cCo

Bhubaneswar, Feb 13 : Orissa's first community radio station has gone on
air in Konark.

The radio station, named Radio Namaskar, has been established by
non-governmental organisation Young India near the Sun Temple of Konark.
It is completely managed by local residents.

"We are just providing a medium to give vent to the aspirations, concerns
and communication needs of the local community that are otherwise
overlooked by the mainstream media," N.A. Saha Ansari, Young India
president, told IANS Saturday.

The programmes on the radio station, which went on air Friday, are mainly
in Oriya and are aired at 90.4 Mhz in FM frequency. They have four main
areas -- local governance, women's issues, food security and youth issues.

"We have programmes on these issues as they are of concern to the local
community," said Sabita Kar, the programme executive of Radio Namaskar.

Copyright Indo Asian News

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[creative-radio] Internews - #Job - Country Director - community #radio - #Liberia

RT @mediamentor: Internews - #Job - Country Director - community #radio -
#Liberia
http://ow.ly/17aXI

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Community Radio Around the World

Wednesday, 17 February 2010

[creative-radio] ethnopoetics : soundings (MP3) Spells and incantations, what we call magic words, the sacred language of paganism

ethnopoetics : soundings (MP3) Spells and incantations, what we call magic words, the sacred language of paganism

Tuesday, 16 February 2010

[creative-radio] NGOs Must Harness Social Media Beyond Disaster Relief

[creative-radio] Pirate radio set to go live for Olympics

Pirate radio set to go live for Olympics

Saturday, 13 February 2010

[creative-radio] INDIA: Orissa's first community radio station goes on air

[creative-radio] Internews - #Job - Country Director - community #radio - #Liberia

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