Community Radio Around the World

Sunday, 16 May 2010

[creative-radio] First community radio on mobile phone

Dear friends

Please read some news reports about First Community radio on mobile phone

http://www.hindustantimes.com/A-coming-out-party/H1-Article1-539853.aspx

http://news.bbc.co.uk/2/hi/south_asia/8617943.stm

http://www.ndtv.com/news/videos/video_player.php?id=1226027

regards
Shu

--
Shubhranshu Choudhary
Knight International Journalism Fellow
312 Patrakar Parisar, Sector 5, Vasundhara, Ghaziabad, India 201012
Ph : +91 9811066749
e mail : shu@cgnet.in

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[creative-radio] iPod & iPhone Recording

Transom Tool: #iPod & #iPhone Recording
http://ow.ly/1LQSE

[excerpt]

iPhones, iPods and other portable media players have included recording
utility applications for several years, but there haven't been good ways to
connect a high-quality microphone as an input. Even if one could, the rest
of the input circuitry was less than ideal, often resulting in noisy, grainy
or distorted recordings. Additionally, these devices often recorded at
unacceptably low quality. Some of these devices have been able to record at
high sample rates and bit-depths for some time, but getting a good quality
signal INTO the machine has been a challenge.

But now, a few different approaches have presented solutions for recording
onto an iPod. The first is the simplest: a high-quality microphone that
attaches to the dock connector on most iPods and iPhones. There have been
several such devices on the market previously, but the *Blue Mikey* from Blue
Microphones <http://www.bluemic.com/mikey/> represents a significant advance
in quality. The second approach is more elaborate: an add-on accessory case
that connects to an iPod, and provides two built-in microphones, as well as
professional-quality XLR inputs for using external microphones. There are
two devices that use this second model: the *Alesis Pro Track*, and the *Belkin
GoStudio*. I've read enough reviews of the Belkin that mentioned its
background noise that I didn't bother considering it. We at Transom are
pickier than most about hissy mics, so when the general-interest reviewers
are complaining about it, we can be pretty confident that we'll be bugged by
it!

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[creative-radio] Ghana: Community radio stations asked to avoid unnecessary political debates

Ghana: Community radio stations asked to avoid unnecessary political debates

http://ow.ly/1LQNY

[excerpt]

Tumu, (U/W), May 14, GNA - Mr. Haruna Iddrisu, Minister of Communications,
has advised community radio stations to avoid political debates that could
breed tension and rather focus on issues that could promote peace, unity and
cohesion. He said the radio stations should be used solely for promoting
social empowerment and development to its people.

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Friday, 14 May 2010

[creative-radio] Some stories on first Community Radio on mobile phone

http://www.hindustantimes.com/A-coming-out-party/H1-Article1-539853.aspx

http://news.bbc.co.uk/2/hi/south_asia/8617943.stm

http://www.ndtv.com/news/videos/video_player.php?id=1226027

regards
----------------------------------------------------------
Shubhranshu Choudhary Freelance Journalist
Ph : + 91 98110 66749 e mail : smitashu@gmail.com
http://36garh.notlong.com http://www.cgnet.in

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Wednesday, 12 May 2010

[creative-radio] New publication: 'Sounds of Your Life: the history of Independent Radio in the UK', by Tony Stoller

---Apologies for cross-posting---

Sounds of Your Life, the history of Independent Radio in the UK, written
by Tony Stoller, is the first comprehensive telling of the history of
the unique experiment of Independent Radio, effectively from start to
finish. Published on 17 May in the UK, it describes how independent
radio came about in the Seventies, its fortunes and misfortunes in the
succeeding two decades, and how it was replaced by commercial radio
around the end of the century.

Sounds of Your Life is a comprehensive political and administrative
history. As well as being a definitive media reference book, it is also
illustrates the wider changes across the whole of society which
accompanied the UK's shift from a social to a market economy, and the
failure of the hopes of the liberal consensus of the post-war years.

The book is in three main sections, which follow an introduction
reviewing the 50 years before the arrival of this alternative radio
service in the UK. The first covers the design and implementation of
Independent Local Radio (ILR) in the Seventies, including the political
debates, and the efforts of the pioneer radio companies to launch a
brand new medium. The second describes how ILR fared in the Eighties, as
the independent approach became established, and the shift in aspiration
towards a more market-based model following the pivotal Heathrow
Conference and the impact of the Death on the Rock television programme
on regulatory structures. The third relates the developments of the
Nineties, including the arrival of Independent National Radio,
controversy over licence awards, and the breaking of the mould of
independent radio as it was replaced by commercial radio.

Within these sections, there are specialist chapters on audience
research, community radio, music copyright and digital radio. A
postscript traces the final laying down of the aspirations of
independent, public service radio in the modern era of commercial radio.

*****

Sounds of Your Life is published by John Libbey Publishing on 17 May
2010 at £22.50 (hardback). It is available from bookshops or direct from
Marston Book Services Ltd, PO Box 269, Abingdon, Oxon OX14 4SD, England.
Tel (direct orders): +44 (0)1235 465500; Fax: +44 (0)1235 465509;
e-mail: direct.orders@marston.co.uk

*****

Tony Stoller is a currently a visiting fellow at Bournemouth
University's Centre for Broadcasting History Research. He was Chief
Executive of The Radio Authority from July 1995, until it was replaced
by Ofcom at the end of 2003. He helped to set up the new regulator, as
its External Relations Director, before retiring at the end of 2005. He
was previously an official in the Radio Division of the Independent
Broadcasting Authority, Director of the Association of Independent Radio
Contractors, and Managing Director of Thames Valley Broadcasting Limited
(Radio 210).

Further information from: tonystoller@yahoo.co.uk

Book profile at http://www.johnlibbey.com/books_detail.php?area=med&ID=142

*****

TABLE OF CONTENTS

Introduction

Section I Prologue

Chapter 1 The long and winding road 1898 – 1970s

Section II Debate, design and implementation 1970 – 1979

Chapter 2 Paving the way for ILR 1970 – July 1972

Chapter 3 Making a start. August 1972 – October 1973

Chapter 4 Turn your radio on. The first year of ILR

Chapter 5 The pioneer years Summer 1974 – Summer 1976

Chapter 6 Is there anybody there? Audience research

Chapter 7 Now we are nineteen Autumn 1976 – 1979

Section III The independent radio experiment 1980 – 1989

Chapter 8 Victories and losses 1979 – 1985

Chapter 9 Doing well by doing good. Secondary rental and programme sharing

Chapter 10 London Heathrow Calling. The Heathrow Conference and its impact

Chapter 11 Left of the dial. The failure of community radio: 1965 – 1989

Chapter 12 Changing the guard 1986 – 1989

Chapter 13 Copyright wars. The long battle over music copyright

Section IV Victory of the commercial model 1990 – 2003

Chapter 14 Shadow and substance 1990

Chapter 15 Classic, Talk and Virgin Independent National Radio: 1991 – 1994

Chapter 16 Glad confident morning. ILR 1991 – 1993

Chapter 17 Awards and re-awards. Licensing in London and beyond: 1993 – 1994

Chapter 18 High summer 1994 – 1996

Chapter 19 Challenging the regulator 1994 – 2000

Chapter 20 Radio by numbers. Digital radio

Chapter 21 Things can only get better. 1997 and all that

Chapter 22 Weddings and wind-ups 1998 – 2000

Chapter 23 RSLs and Access Radio. The strange triumph of the social
engineers: 1990 – 2006

Chapter 24 Breaking the mould 2000 – 2003

Section V Postscripts

Chapter 25 Epilogue

Acknowledgements, sources and bibliography

Annex A Radio advertising and sponsorship revenue 1972–2008

Annex B Independent radio licences in issue 1972–2008

Annex C Radio audiences 1972–2008

------------------------------------

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Monday, 10 May 2010

[creative-radio] Me HIPNOTIS ANDA

Nantikan Album Perdana Dari INDAH DEWI PERTIWI **HIPNOTIS**

Salam Hangat
Eko Purwanto FDR 138/JKT
Promotion Executive
KECI Music Indonesia
Jl.
Bangka XI Nomor 3A,
Kemang-Pela Mampang, Mampang Prapatan, Jakarta
12720
Phone : (021) 719 9899
Fax : (021) 719 9898

email : ekpurwanto@yahoo.com
/ ekpurwanto@gmail.com

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[creative-radio] [OOT] Kursus Menulis Jurnalisme Sastrawi

Moderator yang baik,
Maaf numpang posting...

Kursus Jurnalisme Sastrawi – Pantau

Angkatan XVIII

Jakarta, 26 Juli – 8 Agustus 2010

"Berita buruk bagi industri koran di dunia
adalah kita mulai kehilangan relevansi. Apa yang disajikan koran sebenarnya
sudah bukan berita lagi. Tapi news rewriter."

Endy Bayuni Chief Editor The Jakarta Post, guest speaker kelas jurnalisme sastrawi
angkatan ke XVI januari 2009

"Masa
depan surat kabar adalah tulisan feature dan tulisan jurnalisme sastrawi. Maka
wartawan perlu bisa menulis dengan genre itu."

Amarzan
Loebis, Redaktur Senior Majalah Tempo, guest speaker kelas jurnalisme sastrawi angkatan ke XVII, Mei 2009

Hari ini hampir tak ada warga
yang mendapatkan breaking news dari suratkabar. Mereka mendapatkannya
dari televisi, radio, SMS, telepon atau internet. Tantangan baru muncul:
bagaimana cara menulis panjang? Bukankah relevansi suratkabar makin terletak
pada kemampuannya menyajikan analisis?

Inilah
pentingnya The New Journalism. Ia
mengawinkan disiplin paling keras dalam jurnalisme dengan daya pikat sastra. Ibarat
novel tapi faktual. Gerakan ini dimunculkan Tom Wolfe pada 1973 di New York.

Genre ini kemudian dikenal dengan nama literary journalism atau narrative reporting. Suratkabar-suratkabar Amerika banyak memakai
elemennya ketika kecepatan televisi dan dotcom memaksa mereka tampil dengan
laporan-laporan yang analitis dan mendalam. Suratkabar tak mungkin bersaing
cepat dengan televisi.

Pantau mulai menawarkan pengajaran genre
ini pada media tahun 2001. Peserta maksimal 16 orang. Jumlah ini dianggap optimal
untuk sebuah metode pelatihan. Setiap sesi 90-menit diformat serius namun
santai. Peserta bisa berdiskusi langsung. Total, Pantau sudah mengadakan 16
kali kursus ini. Peserta datang dari berbagai kota, dari Banda Aceh hingga Jayapura, dari Pontianak hingga Kucing,
dari Ende hingga Kupang. Alumninya, kini mulai bermunculan. Ada yang menulis
buku. Ada yang jadi pemimpin redaksi. Ada yang sekolah lanjut.

INSTRUKTUR

Janet Steele --
Profesor dari George Washington University, spesialisasi sejarah media,
mengajar mata kuliah narrative journalism.
Menulis buku The Sun Shines for All:
Journalism and Ideology in the Life of Charles A. Dana dan Wars Within: The Story of Tempo, an
Independent Magazine in Soeharto's Indonesia, yang ahlibahahaskan oleh Arif
Zulkifli dan diterbitkan oleh PT Dian Rakyat tahun 2007. Juga menulis tentang jurnalisme di Timor
Leste dan Malaysia.

Andreas Harsono --
Wartawan feature service Pantau,
anggota International Consortium of Investigative Journalists, mendapatkan
Nieman Fellowship di Universitas Harvard. Menyunting buku Jurnalisme Sastrawi: Antologi Liputan Mendalam dan Memikat. Kini
menyelesaikan buku From Sabang to
Merauke: Debunking the Myth of Indonesian Nationalism, membahas hubungan
media dengan kekerasan etnik, agama dan nasionalisme di Indonesia dan Timor
Lorosae.

INSTRUKTUR TAMU

Saur
Hutabarat -- Pemimpin Redaksi harian Media
Indonesia. Selain sebagai wartawan, ia juga sempat menjadi konsultan
perusahaan public relations, dan instruktur di lembaga pendidikan (dalam konfirmasi)

SYARAT DAN BIAYA

Kursus ini akan berlangsung dua minggu.
Peserta adalah wartawan, atau orang yang biasa menulis untuk media. Calon
peserta diharapkan mengirim biodata dan contoh tulisan agar pengampu mengetahui
kemampuan dasar peserta lebih awal. Biaya Rp 3 juta. Biaya tersebut sudah
termasuk buku dan materi kursus sekitar 200 halaman serta coffe break dan makan siang.

Informasi:

Siti Nurrofiqoh

P a n t a
u

Jl. Raya
Kebayoran Lama

No 18 CD
Jakarta Selatan 12220

Telp/Fax.
021 722-1031/021-7221055

Email.
Siti_pantau@yahoo.com

Website.
www.pantau.or.id

Mobile.
0813 82 460 455

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