Friday, 27 November 2009

[creative-radio] The Business of Radio in Nepal

 



---------------------------- Original Message ----------------------------
Subject: The Business of Radio in Nepal
From: "Pratyoush Onta" <pratyoushonta@yahoo.com>
Date: Fri, November 27, 2009 20:57
----------------------------------------------------------

I would like to submit the following article to our group.
Pratyoush Onta
Kathmandu, Nepal

The Business of Radio in Nepal

by Pratyoush Onta

There is a hybrid business environment for radio in Nepal. While most of
the private-sector owned radios rely, for the most part, on the local and
nationally significant businesses for advertisement revenue, radios run by
NGOs, local government entities, educational institutions and cooperatives
receive donor funding in various forms. Apart from the advertisement
market, private-sector radios also rely on sponsored programmes and
occasionally receive donor money to produce specific thematic programmes.

Commercial FMs
Sustainability has been an issue in debate for commercial FMs since the
early days (ie late 1990s) of independent radio in Nepal. For instance we
can look at the case of FMs in the city of Pokhara. In early 2001, four
commercial FM radio stations came into operation within a two-month period
in Pokhara. In May 2001, many Pokhara residents, including some promoters
of FM radios told researchers that four stations could not survive in the
city. They thought two would or at most three.

Pokhara's economy, they thought, could not support four FM radios. The
city does not have a large industrial base. Its tourism industry was not
in great shape then or geared toward serving local clients. Remittances
from long-distance labourers constituted nearly a quarter of the city's
income but most of it was being invested in private real estate after the
families took care of their more immediate needs. The growth in the
service industry in the late 1990s, mainly in the form of higher-level
educational institutions, ten plus two schools and computer institutes,
had provided advertisements to Pokhara's newspapers.

But if this advertisement had to be shared between the newspapers and the
radio stations, those who talked to media researchers in 2001 feared that
there would be serious undercutting of advertisement rates. Undercutting
has happened but none of the four FMs have gone bankrupt. In fact, those
four FMs have been joined in the intervening years by several other local
FMs and two that relay programmes from their respective Kathmandu-based
stations. Does this mean that all four of the early FMs in Pokhara and the
new ones are making money?

Not at all. Industry insiders say that most of the commercial radios,
including those in Pokhara, are running in a loss. The growth in the
independent radio sector since 1997 coincided with the political and
economic crisis generated by the intensification of the Maoist insurgency.
Until about the year 2000, the insurgency had not significantly impacted
the national industries and tourism. However from then on, tourist
arrivals began to drop sharply, industries began to feel the hit due to
Maoist extortions and intermittent disruptions at the workplace, and
development projects slowed down under threats to workers. Due to this
downturn in the economy, commercial FM stations experienced undercutting
in their advertisement rates and long delays in payments from their
clients.

However apart from two or three stations that went out of air temporarily
or shut down for pure managerial reasons, no commercial FM has gone out of
business citing their continuing losses. How is this possible? Many of the
companies that have invested in the radio sector know that they will not
be earning profits in the short-run. Hence the fact that they are running
in a loss in the initial years of their existence would not be news to
them. But there is also something else at work here.

Industry insiders have, over the years, told researchers that the
promoters of some of the radios that are running in a loss can sustain
some monetary loss each year because their logic of operation exceeds the
simple accounting notion of the bottom line. Such loss is often seen to be
an investment in social prestige or other cultural capital obtained from
running an important local media institution. Such loss can also be
recovered in monetary terms from other business ventures in the portfolio
of those promoting the concerned radio stations.

We can conclude that sustainability in the commercial radio industry then
has a social logic beyond the accountant's income and expenditure balance
and calls for an investigation that looks into how radio is embedded
within a social economy that is larger than the market economy. And radio
is not an exception in this matter. Big money losing ventures in the world
of print media in Nepal including broadsheet dailies continue to be
published years after media analysts predicted their death.

Community Radios
Radios dubbed as community radios have received the support of
international donors in setting up their stations and in producing various
types of development-oriented, rights-based, and educational programmes.
Once these stations come on air, they too have made an income by
broadcasting advertisements. Some of the community radio stations have
adopted a selective policy regarding the playing of advertisements. They
have chosen to not broadcast some advertisements that are broadcast over
commercial stations by claiming that they are exercising their social
responsibility in doing so. However their overall income stream does not
look all that different from those of commercial operators even as the
percentages of income these two different types of radios derive from
playing advertisements are not the same.

Some community radio stations have voluntary producers and other members
of the staff work in a semi-voluntary basis by taking a low pay. Other
stations have received free labour or contributions of cash and kind from
their listeners to set up buildings for their radio stations. Still others
have collected money from those described as 'friends of such-and-such
radio' to establish some kind of a corpus fund. However such efforts have
been executed in a half-hearted and haphazard manner. There is, as yet, no
systematic attempt to realise these ideas in a robust way and resources
obtained from such efforts, apart from the labour of voluntary radio
producers, have not contributed in a significant manner to keep these
stations going.

Many radio promoters who have set up community radios have talked about
various plans to make their ventures financially solvent without having to
rely on advertisement money and foreign donors. Many such individuals have
said that the central government is the key player in this issue.
According to them, the government can not only drastically reduce the
licence and renewal fees, but also give discounts in the phone and
electricity bills that community radios pay each month. These radio
activists have argued that the exorbitant fees along with the requirement
to pay royalties on their annual turnover are the biggest hurdle in the
path toward sustainability of community radios. This has also been the
view promoted by the Association of Community Radio Broadcasters Nepal
(ACORAB).

Other promoters feel that sustaining community radios would have been easy
had there been elected governments at the local level. As one such
promoter said in a discussion held at Martin Chautari (MC) in Kathmandu
almost two years ago, "Community radios could do programmes highlighting
the work going on in the village development committees (VDCs) in their
broadcast areas. They could even do programmes covering the various wards
of the VDCs in rotation and be paid NRs 25,000-30,000 per ward. However,
since there are no elected representatives, there is no incentive for the
wards to work with radios in this manner." Such individuals are also of
the view that if there were elected governments at the district
development committee (DDC) level, radios could ask for a small percentage
of the millions of rupees that each DDC mobilizes for development annually
for "awareness raising".

Some community radio activists feel that community radios in Nepal need to
learn from the experiences of other countries such as Switzerland and
Indonesia in being able to mobilize larger numbers of volunteers to run
their radios. However why those countries have been able to mobilize
volunteers in large numbers to run their radios and why this has not
happened in Nepal needs to be investigated. Some others have argued that
if community radios immerse themselves in cultivating social credibility
and in increasing participation of the members of the communities they
serve, sustainability of community radios should not be a problem in the
long run. But how this wisdom ought to be translated into a business model
has proved to be elusive.

Community radios have also benefited from the programming - and sometimes
financial - support of production houses that have produced programmes on
various themes with donor support. Among those houses doing this work (and
building their own networks of radios, both commercial and community
ones), the two based in Kathmandu, Antenna Foundation and Equal Access are
NGOs whereas another Kathmandu organisation, Communication Corner, is a
private limited company that also started operating its own FM station,
Ujyalo FM, from 2007. This kind of initiative has the potential to share
production resources of radio stations located in various parts of Nepal,
a subject that has been analysed in detail by my MC colleagues Devraj
Humagain, Komal Bhatta and Harsaman Maharjan in their book Radio Network
(in Nepali, 2008).

The sustainability of independent radios has become an even more pressing
issue since the Nepal government distributed licenses to more than 250
radio stations in the last three and half years. As the number of
independent radios in operation increases in the country, we need a public
debate on how to sustain them. Those with experience and knowledge out to
speak up.

Pratyoush Onta is a historian based at the research centre Martin Chautari
in Kathmandu. He has co-edited five books on the history of radio in Nepal
including Ten Years of Independent Radio: Development, Debates and the
Public Interest (in Nepali) published by MC in 2008.

This article was published in the Kathmandu newspaper Republica on 27
November 2009.

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Thursday, 26 November 2009

[creative-radio] "Raising Women's Voices Through Radio Worldwide"

 

WINGS: Women's International News Gathering Service
"Raising Women's Voices Through Radio Worldwide"

http://www.wings.org/

What WINGS Is . . .

"WINGS is at different times horrifying, exciting, funny, eye-opening and
definitely inspirational." --Nikki Reece, programme producer, Plains FM,
Christchurch, New Zealand

WINGS: Women's International News Gathering Service is an all-woman
independent radio production company that produces and distributes news
and current affairs programs by and about women around the world. WINGS
programs are used by non-commercial radio stations, women's studies, and
individuals. Programs can be heard on local radio stations, on shortwave,
on the internet, and on cassettes. The WINGS Mailing List provides updates
on stories and new information about women's media.

"Though I have been involved in women's issues for years, I was still
struck by the contrast of your broadcast to the news we are usually
hearing -- news reflecting male interests in a basically male world.
Women's affairs are a hidden current in the flow of world events."--
Kristin Reilly, listener, Buffalo, New York

Producers' Guide For Submitting Stories To
WINGS: Women's International News Gathering Service
http://www.wings.org/submit.html

WINGS Mailing List:
E-mail wings@wings.org to receive periodic e-mail updates about WINGS
programs and women's media issues.
WINGS Radio Programs:
WINGS Weekly: A news and current affairs series featuring strong women's
voices and ideas from around the world. Catalog. Updated program listings
available via e-mail.
WINGS Newscasts:
Six radio programs per year in newscast format.
Women's News Roundup:
Annual one-hour production showcasing the "hottest women's radio news
stories of the year" and presenting the Katherine Davenport Award for
Women's News (DAWN prize).
WINGS Auxiliary Activities:
Conference Recording
WINGS annually records the plenaries of the U.S. National Women's Studies
Association and sells the cassettes. Call or e-mail WINGS to discuss
having your women's event recorded. This service helps support WINGS
radio.
WINGS Audio Production
A limited number of hours are available for editing and distribution for
clients. Books on tape, radio programs, radio adaptations from video. This
service helps support WINGS radio.
WINGS Consulting and Training
Advice and assistance for women in community radio production.
Women's New Hour
Associates of WINGS in Austin, Texas, participate in a local live weekly
cable access TV program showcasing women's activities in current affairs.
WINGS internships
Your college may give you credit for learning and helping with WINGS
productions. Non-credit interns also are welcome.

Contacts
Mailing Address:
WINGS,
Box 95090,
Vancouver BC V5T 4T8,
Canada.
Phone Numbers: (604)876-6994
Order CDs and mp3s: wings@wings.org
Payment Options: wings@wings.org
Gifts to WINGS: Tax deductible contributions can be made out to:
NRPA/WINGS
124 Bourne St.
Roslindale MA 02131 USA

For Additional Info: wings@wings.org
Reporters' Pitches: wings@wings.org
News Tips and Event Announcements:
WINGS,
Box 95090, Kingsgate
Vancouver BC V5T 4T8,
Canada.
Join WINGS email list wings@wings.org
Dead Links, Link Exchanges, Other Web Site Issues:
Frieda Werden wings@wings.org

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CBQM: The Biggest Little Radio Station in the North - 'I'm darn proud of it' says Ruth Wright


Andrew Rankin
Northern News Services
Published Thursday, November 26, 2009

http://nnsl.com/northern-news-services/stories/papers/nov26_09den.html
INUVIK - After the movie CBQM: The Biggest Little Radio Station in the North ended at the community centre on Friday evening, Ruth Wright got up from her seat with tears in her eyes.
"It was just gorgeous," she said. "It's real people. We know them. I'm darn proud of it because it captures the beautiful land and spirit of our people."

NNSL photo/graphic

Inuvik filmmaker Dennis Allen shares a laugh with Neil Colin, one of his main characters in CBQM: The Biggest Little Radio Station in the North. Colin had no trouble charming Friday's community centre audience as he and Allen spoke to the crowd about being involved with the film. - Andrew Rankin/NNSL photo
"I can't have any dry fish or dry meat, but just wait boy," she said with a laugh.
She wasn't the only one moved by Inuvik filmmaker Dennis Allen's lively inside look at the extraordinary community radio station based in Fort McPherson.
Inuvik resident Karen Mitchell grew up in Fort McPherson and said the movie offered so much to be proud of.
"It gave me the sense of homeliness," she said. "It didn't just portray one aspect of our community and its people, it included the land, the spirituality, both on the land and of the church and the connection of younger and older generations."
The humorous, often hilarious film, centres on the radio station, which is essentially the heart of the community.
Against the backdrop of classic country western music, the film introduces a range of colourful characters who volunteer to keep the station going, such as a group of local old-time country musicians playing their hearts out in live performances. Then there's the hosts, like the good natured, red-headed constable who urges kids to stop egging home windows and the lively elderly woman, who politely asks drunk listeners not to call and just to enjoy the music.
While radio commentators talk and music plays, hosts are barraged by residents calling in to wish their neighbours luck with bingo or to report on ice break-up on the river.
The camera visits the places in the community where the radio is being heard whether it's the school or beside an elder at home doing bead work. Mixed in are plenty of striking images of the surrounding landscape.
Allen, who was born and raised in Inuvik, was on hand for the showing as he had been present for its world debut more than two months ago in Fort McPherson. After the crowd filed out of the venue, he said he was pleased by the support, although he stopped short of saying he was surprised.
"It's offers a sense of community," he said. "(there's) so many people feel fragmented from their community. After watching this film I think they feel a sense of belonging."
The accomplished Inuvialuit director and musician said for that reason he's been a fan of the station for a long time. A few years ago he got the idea to create the film while driving in his vehicle near Fort McPherson. At the time he heard a particularly funny announcer looking to be relieved from his post so he could feed his dogs.
"It was 5:30 and he said 'I want to go home and feed my dogs, somebody come and relieve me.' Five minutes later he would repeat himself and he was getting more and more desperate.
"He was saying, 'You always want someone on the radio station but no one is phoning.' It was innocent, but it was comical. I wanted to make a film capturing that humour. That was the moment that really inspired me."
Friday's screening was the movie's fifth public showing. It's already been screened in festivals in Calgary and Toronto and will be entered in a variety of other national and international film festivals. Allen said after that the movie will broadcast on some television stations and in about a year will be available on DVD.
The film took two-and-a-half years to make, comprising about 60 hours of shooting. He was allowed up close and personal access into residents' lives because, he said, for the most part they knew him and trusted him.
"I was born and raised in Inuvik," he said. "Fort McPherson is two hours away. I know everybody. I guess they trusted me that I was going to do the right thing. Some people weren't receptive. Most people just opened their doors."

- - - - - - -
CBQM, a short documentary in which filmmaker Dennis Allen pays tribute to the "Moccasin Telegraph," won the Alanis Obomsawin Best Documentary Award, with a jury member saying, "Through accomplished storytelling, [Allen] has deftly captured the small, yet transformative, moments that make up human experience."
- - - - - - - -
Trailer for CBQM: The Biggest Little Radio Station in the North - on the NFB website

http://www.nfb.ca/film/cbqm_radio_trailer/
Dennis Allen, 2009, 2 min 12 s
Dennis Allen's feature-length documentary is about Fort McPherson, a Teetl'it Gwich'in community in the Northwest Territories, and its citizen-run radio station. A resilient expression of Aboriginal pride, CBQM serves a far-flung and loyal listenership – and plays the best damn country music in the Mackenzie Delta.



-----

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Wednesday, 25 November 2009

[creative-radio] Radio 855 AM Melbourne - Accent of Women

 

Accent of Women 03.11.2009
November 4, 2009 - 2:30am
This week's show hears the voices of four young indigenous women from
Malaysia, talking about their struggles and the need for independent
communications.File Download (29:19 min / 14 MB)

Accent of Women 20.10.2009
October 21, 2009 - 1:30am
Nina Somera, from ISIS International Manila, discusses women, climate
change and climate justice.File Download (30:17 min / 14 MB)

Program Page

http://www.3cr.org.au/accentofwomen

Accent of Women:

Is a show by and about women from culturally and linguistically diverse
backgrounds with a commitment to progressive politics.

Is aimed at ethnic women and people interested in issues by and about
women from culturally and linguistically diverse backgrounds.

Gives voice to women on global issues. Examines women's roles in issues
otherwise under-represented by the media.

Aims to represent the diversity of issues affecting women from culturally
and linguistically diverse backgrounds internationally and locally.

Presents information, analysis and comment on issues that are initiated,
facilitated or driven by women from culturally and linguistically diverse
and Indigenous backgrounds.

Prioritises the voices of women from marginalised sectors and communities.

In English.

Presented by Sonia Randhawa, Jiselle Hanna and Lucy De Kretser.

More Podcasts from Radio 855 AM Melbourne

http://www.3cr.org.au/podcasts

Podcasts are audio files (in this case, 3CR programs) that automatically
download to your computer with software like iTunes or other free
software. Get help with podcasts.

Listen to or download the most recent edition of the 3CR programs below.
Click on Subscribe to access previous editions of a program and to
automatically download all future editions. Our website does not have
program archives. New 3CR programs start podcasting each week.

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[creative-radio] Australian Queer Radio Hits National Waves

 

Australian Queer Radio Hits National Waves

http://www.gay2shareworld.com/2009/11/26/australian-queer-radio-hits-national-waves/

JOY 94.9 is reaching out to new audiences as far as Albany, Townsville and
Whyalla with a new national GLBTIQ news radio program.

The 5-minute news program contains aims to highlight headlines targeted at
the Australian queer community.

The QNN (Q-mmunity Network News is part of Melbourne based LGBTQ radio
station JOY 94.9 and already has been picked up by 50 community stations
across the shared Community Radio Network (CRN).

"It's about getting the message of celebration and information and
education out as broadly as we possibly can," said Stephen Duns, president
of JOY 94.9.

"Mainstream news services do not adequately meet the needs of our
community, and QNN will provide this essential service for the diverse
lesbian and gay communities around the country."

Not to mention mainstream media is BORING! I hope the team at JOY 94.9
will offer something us insights that are fresh and thought provoking, and
not just another rehash of less than stellar news coverage.

QNN will be aired locally in Melbourne on JOY 94.9 at 7.05pm Monday and
10.30am Saturday, or you can pick it up from the station's website.

The national broadcasts can be heard at 11.55am Wednesday on participating
stations.

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[creative-radio] Workshop on Community Radio from Nov 26 in Mumbai

 

Workshop on Community Radio from Nov 26 in Mumbai

http://www.dnaindia.com/mumbai/report_workshop-on-community-radio-from-nov-26-in-mumbai_1316241

Mumbai: A two-day workshop on Community Radio (CR) will be organised from
November 26 at the Kamla Raheja Institute of Architecture and
Environmental study here, organisers said today.

During the workshop titled 'Community Radio - Tuning into Diversity',
participants will have the opportunity to hear first-hand experience of
speakers, including practitioners who are already running CR stations as
well as experts on the regulatory, technical and other aspects of running
a station, one of the organisers of Comet Media Foundation said.

Some of the speakers include Aditeshwar Seth of Gram Vaani, IIT Delhi,
Amol Goje of Vasundhara Vahini Community Radio, Baramati (Maharashtra),
Anuja Shukla from Radio Bundelkhand Development Alternatives at Orchha
(UP), Bharati Ahire of Radio Ujjas of Kutch Mahila Vikas Sanghatan, Bhuj
(Gujarat), Ram Bhat of Maraa, Bangalore, Sajan Veniyoor of Community Radio
Forum, an India-wide network and Richard Rego, Radio Sarang, Mangalore.

The workshop has been organised by Comet Media Foundation in partnership
with the Media Information and Communication Centre of India, Frederich
Ebert Stiftung and Centre for the Advancement of Philanthropy.

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[creative-radio] Stand by for Fraser Coast Community Radio broadcast

 

http://www.frasercoastchronicle.com.au/story/2009/11/26/stand-by-for-broadcast/

Jennifer Chapman | 26th November 2009

[excerpt]

IF YOU'VE been hanging out to tune into 4FCR for the past four months you
might not have to wait too much longer.

Fraser Coast Community Radio is hoping to hear by the end of the week
whether it has been successful in gaining a $10,000 grant to help the
station get back on its feet.

The volunteer radio group is still recouping its losses after a fire tore
through its Hunter Street premises in July.

Office equipment was replaced, however the studio was destroyed and the
group forced to move to a building on Halcro Street, Pialba.

In August, the station went back on air but only broadcasting pre-recorded
music.

Fraser Coast Community Radio president Janice Warren said the group was in
the middle of setting up at the new station, however volunteers would be
working through renovations.

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