Saturday, 3 December 2011

[creative-radio] NEW AUDO TOOL: Tascam DR-40 Digital Recorder

 

TRANSOM.org a showcase & workshop for new public radio
http://www.transom.org December 1, 2011 *
NEW TOOL: Tascam DR-40 Digital Audio Recorder *
Transom is always searching for the ideal field recording devices at the
lowest cost.
Our TOOLS Editor Jeff Towne just reviewed the new Tascam DR-40 and says,
"At last! The recorder we've been waiting for!
Well, almost..." Details on the pros and cons are in the pull-quote below,
and for the full review--including audio samples with various microphones,
comparisons to similar units, a full dissection of the menus and features,
and all of Jeff's typically thorough testing--come read the review:
http://transom.org/?p=21768
Drop over any time, Jay Allison Atlantic Public Media Woods Hole,
Massachusetts http://www.transom.org
======================
"It DOES have most of the attributes we want: convenient size, good price,
XLR inputs, good built-in mics, decent construction quality, reasonably
simple operation, and overall good sound quality.
And there are a few unexpected bonuses: the 4-track and dual recording
modes are very useful improvements over standard recorders, the Peak
Reduction mode is a very clever level-setting aid, true mono recording
saves memory space, it can record WAV files at up to 24 bit and 96khz, or
several rates of MP3 files if desired.

But there are also a few negatives: it's unacceptably noisy with dynamic
mics to record quiet sources such as interviews, too many of the controls
are buried in menus, the input gain is on an up/down rocker switch rather
than a dial, the headphone jack is a fragile mini, the built-in mics are
very wind-sensitive and no wind screen is provided."
-Jeff Towne, continued at
http://transom.org/?p=21768==============================================

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Thursday, 1 December 2011

Re: [creative-radio] UK: Ofcom publishes Community Radio Report 2010-11

 

Dear Salvatore,

thank you for sending through the executive summary.

I am currently on vacation so dont have ready access to Australian figures but I would like to make some general observations based on the material you sent through.

----------------------------
1.5 The legislation also requires that Ofcom sets licence conditions limiting the amount of income that individual stations can generate from on-air advertising and sponsorship. For the majority of stations this limit is 50%. However, two stations have lower limits (25% and 10%) and a further 18 stations cannot take income from on-air advertising and sponsorship at all. These additional restrictions have been put in place to protect existing small commercial services whose coverage areas overlap with the community services.

This is the most disturbing point in the report. Not for profit organisations (as the report classes CRs as) should never be seen as a 'threat' that the commercial operators need "protection" from. If this logic was carried over to other not for profits then hospitals, schools, recycled clothing stores and many other communicty services run by not for profit foundations or organisations would have to cease income generating operations as many of them perform services along side commercial operators.

I do hope the various CR organistions are making lots of noise about this restriction.

Furthermore, this seems to contradict not only the OFCOM's stated recognition of CR as not for profit but to also limit the ability of these stations to "deliver community benefits, known as 'social gain'" to the communities they serve. Could this be a 'restriction on trade' as its known here in Australia and therefore be challengable in the courts?

----------------------------
1.15 Public sources of funding accounted for 25% of the total sector income. Local authorities accounted for around 13% of the sector's total income. 8% of income came from other public bodies such as the Arts Council, health providers, educational establishments and various national lottery award schemes.

In Australia CR's income is roughly 30%, 30%, 30% - 30% self funded (memberships, fundraising drives and so on), 30% from funding sources such as government grants and about 30% sponsorship.

Some stations are more skewed to one of these sources than the other but across the whole sector this has been the trend for many years. Meltropolitan stations tend to rely less on grants (overall) and more on fund raising and sponsorship and memberships while regional / rural stations tend to have less (if any paid staff) and have a higher reliance on grants. As I said, these are general comments and there are (as always) exceptions to this.
----------------------------

1.16 The Community Radio Fund, which is administered by Ofcom on behalf of the Department for Culture, Media and Sport, accounted for £321,500 (around 3% of the sector's total reported income). The Community Radio Fund continues to be the largest single source of income for the sector.

In Australia the Community Broadcasting Foundation (CBF) administers federal funding grants. The bulk of these are for indigenous and ethnic language services.

Over the last few years there has been funding for metropolitan wide stations to go digital. Sub metro (in other words low power) and regional / rural stations cannot access these grants.

The CBF administers small grants which can be for training, equipment upgrades, administration costs and sundry expenses that may be 'out of the ordinary'. They do not seek funds from philanthropic bodies.
----------------------------

1.21 Community radio stations broadcast live for around 82 hours per week on average, and, in general, broadcast a further 12 hours per week of original pre-recorded material. On average around 32% of daytime output is speech which can feature a wide range of local organisations and community initiatives.

This equates to about 12 hours a day of 'live to air' programming which is on par with our sector. I am not sure what the "12 hours per week of original pre-recorded material" refers to so I cant compare that.

The 32% of spoken word content is interesting. Does this take into account all spoken word (ie news, sponsorship scripts, sports commentary and so on) or is it material that could be classed as 'editorial'. In other words, is it substantial commentary on social, political and other civil society concerns?

If it is the latter, then I and very impressed. I dont think we have any stats in Australia that would reveal 'spoken word content'.
----------------------------

1.23 The average station reports the involvement of around 78 volunteers annually, although there is a wide variation. Together these volunteers give on average of around 295 hours a week of their time in total. Time given by volunteers can vary considerably from an hour or two to over 1,000 hours per week.

This is a very impressive stat. I would be interested to know what the demographic breakdown is (M / F, age, income, roles etc).
----------------------------

I look forward to reading the full report at some stage and do encourage you and the rest of the team to keep up the good work in your lobbying and efforts to continuen to build the CR sector in your region

Warm Regards
Shane Elson
Treasurer, AMARC-AP

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Wednesday, 30 November 2011

[creative-radio] Over Baghdad (Maktoob) | Sundus Abdul Hadi & Stefan Christoff.

 


please post / forward!

* Over Baghdad (Maktoob)
http://howlarts.net/post/13190341140/over-baghdad-maktoob

Howl! arts collective presents a collaboration between artist Sundus Abdul Hadi
and musician Stefan Christoff for 'Over Baghdad (Maktoob)', part of the Flight
Series'.

This collaboration builds on past musical / visual collaborations between the
artists, view 'Uprising' released by Art Threat earlier this year, a piece
honoring the uprising in Egypt, also Christoff contributed piano to Abdul
Hadi's multimedia series WARCHESTRA for the piece 'Keys of Return'.

For this most recent collaboration you can hear an open piano track, music to
accompany the open skies of struggle and dreams illustrated in the 'Flight
Series' exhibition.

Please post / share this link widely and download the music via the soundcloud
icon above, thanks for tuning-in. For all in Montreal Sundus Abdul Hadi will be
a featured artist at the upcoming exhibition, Arab Winter opening to the public
in the form of a multimedia art installation on December 2nd, 2011, at the
Under Pressure Fresh Paint Gallery in Montreal.

* info on 'Arab Winter' exhibition: http://thearabwinter.tumblr.com/

---

Stefan Christoff / christoff@resist.ca
http://www.twitter.com/spirodon

---

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Tuesday, 29 November 2011

[creative-radio] UK: Ofcom publishes Community Radio Report 2010-11

 

---Apologies for cross-posting---

Source:
http://stakeholders.ofcom.org.uk/broadcasting/radio/community/annual-reports/10-11/

Full report at:
http://stakeholders.ofcom.org.uk/binaries/broadcast/radio-ops/CR-AR-10-11.pdf

*Executive summary*

1.1 Community radio stations are not-for-profit radio services designed
to operate on a small scale and to deliver community benefits, known as
'social gain'. The legislation enabling community radio services to be
licensed was introduced in 2004 and amended in January 2010. The first
community radio station launched in November 2005. This is Ofcom's
fourth annual report on the community radio sector.

1.2 Ofcom has to date licensed 231 stations over three rounds of
licensing. 196 of these are broadcasting and a further 23 have either
decided not to launch or have handed their licence back, largely due to
funding problems. The remainder are preparing to start broadcasting. The
second round of licensing concluded in August 2010 and a third round of
community radio licensing commenced in April 2011.

1.3 Community radio serves a diverse range of communities. The majority
of stations serve a general audience in either an urban/suburban area
(16%) or a town/rural area (43%). Many services, however, serve smaller
communities of interest. This includes, for example, those aimed at
minority ethnic groups (13%), a youth audience (11%) and those with a
religious focus (6%). Of the licences awarded, 187 are in England, 14 in
Northern Ireland, 20 in Scotland and 10 in Wales.

1.4 The legislation governing community radio sets out the
characteristics of community radio services and defines social gain.
Each station has a set of 'key commitments', which forms part of its
licence and sets out how it will meet these characteristics and deliver
social gain. The key commitments includes how a station will make itself
accountable to its target community and ensure access, its programming
aims and its commitments with regard to training and other social gain
objectives.

1.5 The legislation also requires that Ofcom sets licence conditions
limiting the amount of income that individual stations can generate from
on-air advertising and sponsorship. For the majority of stations this
limit is 50%. However, two stations have lower limits (25% and 10%) and
a further 18 stations cannot take income from on-air advertising and
sponsorship at all. These additional restrictions have been put in place
to protect existing small commercial services whose coverage areas
overlap with the community services.

1.6 Each station that has been broadcasting for more than a year is
required to complete an annual report. The reports detail how each
station has performed against its key commitments and identifies its
sources of income and expenditure. The financial aspect of the reporting
enables Ofcom to check whether the station has stayed within the
legislative restrictions on funding.

1.7 For the period April 2010 to March 2011 Ofcom received key
commitments annual reports from 163 stations and financial annual
reports from 161 stations. One station was excused from providing a
financial report and one station did not provide its financial report in
time to be included in this report. Another station did not submit
either its key commitments or financial reports.

1.8 Annual reports were not required from stations that launched during
this period or subsequently and are therefore not included in this report.

1.9 In 2010/11 the average (mean) station's income was around £63,000.
The median figure, the mid-point in the distribution of stations'
income, was considerably lower at £42,000. This is because a small
number of stations are earning significantly more than the majority.

1.10 The total reported income of the four highest earning stations,
each reporting over £250,000 income for the relevant period and earning
a total of just over £1.5m, equates roughly to the total income of the
74 lowest income stations. If we exclude the four highest earning
stations' income then the average income drops to £54,500. The median
figure remains relatively similar at £41,000.

1.11 Stations targeting a community of interest (rather than a
geographic community) reported a higher income than the sector average.
Stations serving a general audience in an urban area reported a higher
average income than town/rural stations (£89,500 as opposed to £45,000).

1.12 The average (mean) sector income is down by around 19% on the
previous year's reported figure. In the 2009/10 period income had
dropped by around 6% compared to the period prior to this. The median
income for the current reporting period has dropped by 7% compared to
the 2009/10 period.

1.13 Trend analysis undertaken on the stations which have reported in
each of the last two years (i.e. 2009/10 and 2010/11) indicates that the
average (mean) income for these stations has dropped by only 0.05%
(£70,500 in 2010/11 compared to £74,500 in 2009/10 for the same group of
stations). This may indicate that the financial situation for those
stations that have submitted annual reports for the last two financial
periods has remained relatively stable.

1.14 When compared to previous years, the proportion of income from
specified sources appears relatively similar. The most significant type
of income for the sector is grant funding, which accounts for 37% of the
total. Income from on-air advertising or sponsorship accounted for
around 21% of total income across the sector. 23% of stations submitting
financial returns did not take income from advertising and sponsorship
in this reporting period. Of these 37 stations, 25 chose not to take
this type of income as a matter of choice or policy. The remaining 12
stations were prohibited under their licence from doing so.

1.15 Public sources of funding accounted for 25% of the total sector
income. Local authorities accounted for around 13% of the sector's total
income. 8% of income came from other public bodies such as the Arts
Council, health providers, educational establishments and various
national lottery award schemes.

1.16 The Community Radio Fund, which is administered by Ofcom on behalf
of the Department for Culture, Media and Sport, accounted for £321,500
(around 3% of the sector's total reported income). The Community Radio
Fund continues to be the largest single source of income for the sector.

1.17 Community radio stations, on average, are spending slightly more
than their income. Stations cost, on average, around £64,500 to run.
This has declined by 13% compared to the previous reporting period. The
median expenditure for this reporting period has dropped to £40,000
compared to £52,000 the 2009/10 period.

1.18 Trend analysis undertaken on the stations which have reported in
each of the last two years (i.e. 2009/10 and 2010/11) indicates that the
average (mean) expenditure for these stations has dropped by only 0.03%
(£72,000 in 2010/11 compared to £74,500 in 2009/10 for the same group of
stations). This analysis gives some insight into how those stations
reporting for two full financial periods have fared year-on-year.

1.19 The highest cost for community radio stations remains staff
expenditure, which accounted for around 50% of stations' costs. Premises
and technical costs, as in previous years, accounted for the next most
significant outlay.

1.20 Around 44% of stations that returned a financial annual report were
in deficit. Of these 71 stations in deficit, 24% (39 stations) reported
this to be in excess of £10,000 (the highest was £90,000). At the other
end of the scale, one station had a surplus of £75,000. In most cases,
large deficits are being funded by parent organisations; any surpluses
are typically invested in the operation of the service.

1.21 Community radio stations broadcast live for around 82 hours per
week on average, and, in general, broadcast a further 12 hours per week
of original pre-recorded material. On average around 32% of daytime
output is speech which can feature a wide range of local organisations
and community initiatives.

1.22 Some stations focus on particular genres of music, while those
serving a geographic audience generally broadcast more mainstream music
during daytime programming, moving to specialist output in the evening.

1.23 The average station reports the involvement of around 78 volunteers
annually, although there is a wide variation. Together these volunteers
give on average of around 295 hours a week of their time in total. Time
given by volunteers can vary considerably from an hour or two to over
1,000 hours per week.

1.24 At a cost of just over £10 million pounds, based on the reports
received from stations in this reporting period, community radio in the
UK delivered:
A total of more than 12,500 volunteering opportunities
Over 45,000 volunteer hours each week
Over 15,000 hours of original radio output each week
Output broadcast in a wide range of community languages

1.25 There are now over 190 stations broadcasting and Ofcom estimates
that volunteers contribute close to 250,000 hours a month to community
radio.

1.26 Given that the community radio sector is now relatively mature,
Ofcom does not intend to publish an annual report of this type for
2011/12. However, all relevant stations will still be required to submit
an annual report as part of their demonstration of compliance with
licence and other statutory requirements.

--
============================================================================
Salvatore Scifo
============================================================================
Vice-President, Community Media Forum Europe (CMFE)
E:info@cmfe.eu W:http://www.cmfe.eu
============================================================================
CMFE is a network of policy experts, organizations and federations, which aim to support the role of Community Media in Europe.
Registered in Belgium as an International NGO, business n.0822992342

Supported by the EU under the 'Europe for Citizens Programma 2011'
============================================================================

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Sunday, 27 November 2011

[creative-radio] Nigerian Embassy deportation hearing in Köln – Less than 10 refugees participated

 


Nigerian Embassy deportation hearing in Köln – Less than 10 refugees
participated

About 20 Activists assembled on Tuesday 22.11.11 at 8am to protest the
Nigerian Embassy deportation hearing taking place at the Central
Foreigners Office, Am Blaubach 13, Köln.

The Central Foreigners Office (Z.A.B) Köln is one amongst notable
institutions that facilitate the traumatisation of refugees through abuses
in the likes of country embassy identification of the Victims for
deportation.

This protest is in line with "The VOICE Refugee Forum" commitment to
expose the deportations and the corrupt collaboration of refugee countries
with the German deportation authorities where the Nigerian embassy is
playing the leading role.

With active support from Activists of "Autonomy Zentrum" and other persons
and groups in Köln, an intention to begin with a community breakfast was
interrupted as the Police in suspicion approached the gathering to
question our agenda.
The police tried their usual threat of penalty and telephone parade but
the Activists expressed their determination of of no fear as they
themselves were informed of the legal basis of such actions.

In a bid to avoid unnecessary distraction as the Police would like it, the
activists unanimously agreed on a spontaneous registration but the
responsible Officials still went further to petition the availability of
Banner at the Venue.

Amongst 22 refugees invited for that day, less than 10 refugees within
Bayern and Rheinland Pfalz appeared for the exercise.

Participating refugees were informed on the basis of the invitation to the
hearing and advised on possibilities to save themselves from deportation.

We hereby call on Refugees and Activists to support the planned protest
action at the Nigerian Embassy premises for its leading role in country
embassy deportation collaboration.

The Nigerian Embassy is known for its monthly mobile deportation hearing
in different German Cities and we are committed to protest their presence
at any possible hearing.

The preparatory meeting for the Berlin Action is expected to take place in
Stuttgart on a date that is yet to be decided.

Refugee support groups should endeavour to mobilise refugees in their
region for this action as the fight against one deportation affects all.

The Colonial Collaboration of the Nigerian Embassy with the German State!
http://thevoiceforum.org/search/node/nigeria+deportation+embassy

The Voice Baden Württemberg
Böblingerstr 105
70199 Heslach-Stuttgart
Tel.: 017627873832
Email:thevoice_bdw@yahoo.de
http://thevoiceforum.org

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Tuesday, 22 November 2011

[creative-radio] Buy Nothing Day, 11/25/2011, 12:00 am



Reminder from:   creative-radio Yahoo! Group
 
Title:   Buy Nothing Day
 
Date:   Friday November 25, 2011
Time:   All Day
Repeats:   This event repeats every year.
Notes:   For 24 hours on Buy Nothing Day, November 25, we remember that no one was born to shop,
we pause, make a small choice to participate by not participating, and
we regain some calm. What will you do to tell Nike, McDonald's, Walmart
and the rest that enough is enough? Why not run with some ideas dreamt
up by the more than 3,500 jammers who took part in last year's biggest
ever Buy Nothing Day? Set up credit card cut ups, don white coats and
vaccinate against affluenza, give out free samples of nothing - anything
to show that the best things in life are free. You can find more ideas
and tools i
 
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Saturday, 19 November 2011

[creative-radio] Community Radios: For a Citizen Information », International Meeting from 5 to 8 December, Marrakech

 

---------- Forwarded message ----------
From: Secretariat AMARC <secretariat@si.amarc.org>
Date: 18 November 2011 09:39
Subject: [Asiapacific-general] « Community Radios: For a Citizen
Information », International Meeting from 5 to 8 December, Marrakech
To: Marcelo Solervicens <secretariat@si.amarc.org>

*With apologies for any cross posting*

PRESS RELEASE****** **

*International Meeting*

*« Community Radios: For a Citizen Information »*

*5, 6, 7 and 8 December, Marrakech*

The civil society Portal Maghreb‐Machrek *e-joussour*, a Forum des
Alternatives Maroc (*FMAS) *program*,* organizes in collaboration with the
World Association of Community Radio Broadcasters (*AMARC)* and the support
of International Media Support *(IMS)*, the International meeting *«
Community Radios: For a Citizen Information *» on* *5, 6, 7 and 8 December,
in Marrakech.****

This meeting is in line with the project "Community media, for a citizen
information", initiated by** e-joussour/FMAS and co-sponsored by the
European Union. **
****

The objective of these four days of seminar, supervised by international
experts, is double: ****

- On one side, to establish an advocacy strategy in the light of the
precisions that will bring the international experts;****
- On the other side, to provide a technical support for the setting up,
the management and the animation of the community radios by Moroccan civil
society actors. ****** **

Also, it will be the occasion to: ****

- Present the synthesis of the six regional meetings of « Dialogue for
the setting up of community media in Morocco » that was organized to the
benefice of the civil society in all regions of Morocco; ****
- Present the result of the study « Diagnostic of the legislative
framework regulating the Moroccan media landscape », the memorandum, the
bill and the specifications booklet model for the setting up of community
radios, realized by the international expert Said Essoulami ;****
- Expose the concept of webradio « Joussour » which intends to be
participative, the mouthpiece of the Moroccan civil society, and that will
support the advocacy campaign. ****** **

The closing of this meeting will be the occasion of the official launching
of « Joussour » webradio, the diffusion of the study as well as the
launching of the advocacy campaign for the adoption of a legislative
framework insuring the existence of community radios in Morocco.

****

*For more information : *****

Imane Bounjara // Project Officer ****

06 62 06 97 09 // mediacommunautaire@e-joussour.net****

via
_______________________________________________
Asiapacific-general mailing list
Asiapacific-general@lists.amarc.org
http://lists.amarc.org/mailman/listinfo/asiapacific-general

[Non-text portions of this message have been removed]

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Recent Activity:
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Caveat Lector- Disclaimers, NOTES TO EDITORS
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