Thursday 19 August 2010

Gram Vaani, meaning voice-of-the-village, is an initiative to empower rural communities through participatory media/community radio

 
Gram Vaani, meaning voice-of-the-village, is an initiative to empower rural communities through participatory media.

http://gramvaani.org/

We aspire to build an eco-system of information production and consumption by bringing together rural communities, development NGOs, regional and local government agencies, and national and vernacular news agencies. Together, we can give a voice to the rural population that can be heard across the nation. One of our prime areas of expertise is in community radio.



The latest!

The GRINS box plus software, our flagship product for community radio stations is now available. GRINS is an open-source radio automation system especially designed for rural communities in developing regions, to help run their radio stations easily and efficiently.

 
Please read on for screenshots and other details. No other radio broadcast system supports such a seamless integration of radio and telephony!


 
Gram Vaani in the news




[creative-radio] Made in India: GRINS, a software platform for community radio management

New Delhi: Radio gaga - Gurgaon Ki Awaaz, or 107.8 FM, a community radio
http://ow.ly/2sctE

If they get the takers they seek, three techies could reshape the world of
community radio programming and grass-roots info-sharing

New Delhi: Right now, nothing is going on. We are critical," whispers Zahir
Karodia.

He stands behind fellow engineer Balachandran Chandrasekharan in the dark
control room of the radio station Gurgaon Ki Awaaz, or 107.8 FM, a community
radio station that serves Gurgaon's drivers, construction workers and
migrants.

*Also Read *Previous stories in the
series<http://innovation.hindustantimes.com/>

Both men stare at the screen of the radio station's main computer, which has
frozen while running their software and now refuses to respond.

In the studio next to the control room, two anchors nervously flip through
pages. An operator hums to himself. The station's live traffic programme was
supposed to start two minutes ago. Tens of thousands of listeners are
hearing static, or dead air.

At last, Chandrasekharan reboots the software. The operators slide back into
their seats. Looking relieved, the anchors launch into an update on rain
flooding in Hero Honda Chowk.

In the break room right off the control room, station manager Arti Jaiman
shrugs her shoulders. "We've never had that problem before," she says.

In April, Gurgaon Ki Awaaz installed the Grameen Radio Inter Networking
System (GRINS) software as part of a pilot programme run by the software's
inventors: Chandrasekharan, Karodia and their friend Aaditeshwar Seth, an
assistant professor at the Indian Institute of Technology in Delhi. Karodia
is Seth's PhD student, and Seth and Chandrasekharan met at a university in
Canada. At 29, Seth is the oldest of them.

The station, which is run by US-funded educational non-profit the Restoring
Force, installed the programme to help manage the transition from
pre-recorded programmes to occasional live broadcasting. All of the
station's employees, several of whom never passed high school, use GRINS.

For the engineers, GRINS represents the beginning of a new way of looking at
community radio—and a possible business model in a struggling social sector.

*Hi-fi ambitions*

The engineers want to create affordable software that can bridge the gap
between the urban and rural markets, creating an information marketplace
accessible to all.

In early 2009, the three engineers partnered with two businessmen, Parminder
Singh—who had worked in rural markets before—and Mayank Shivam, to start *Gram
Vaani*, a company that would develop and sell their programmes.

They came out with GRINS that same year, and it now runs at six stations
scattered across Orchha (Madhya Pradesh), Dharamshala (Himachal Pradesh),
Gurgaon, Mumbai, Erode (Tamil Nadu) and Supi (Uttarakhand).

Seth says they will add a station in Pune in the next six months. He
recently hired a technical support officer and a sales representative,
bringing the company's full-time staff to four.

"The next couple of months are going to be pretty active," says Seth. His
official title is chief technical officer, but he adds, "We're so small that
everyone does everything."

In the world of radio software, GRINS is a jack of all trades. The software
serves as disc jockey, archivist and secretary. It automatically records
radio broadcasts, which can then be organized using descriptive labels known
as tags.

Agricultural broadcasts can be tagged by crop—wheat, corn—or with a
catch-all tag like agriculture. GRINS groups items with the same tag
together, making the files accessible later on. The software also contains a
playlist manager that organizes multiple inputs, including music and
pre-recorded programmes.

Another application that runs on the GRINS platform can receive, tag and
archive telephone calls for later use in broadcasts. In a way, it's like a
massive digital file folder into which inputs can be dumped and then, via
tags, retrieved.

The programme's only competitor is a high-end American software that retails
for around $5,000 (Rs2.33 lakh). No Indian station uses it.

*User-friendly*

"I'm personally familiar with the (GRINS) software, and maybe soon we'll tie
up with them to get it," said Shashwati Goswami, an associate professor of
broadcast journalism at the Indian Institute of Mass Communication, New
Delhi.

Goswami manages the day-to-day operations of the college's community radio
station. "The (GRINS) software is very user-friendly and easy to grasp."

But the simple user interface hides a complex back-end; a snarl of software
and hardware engineering that took the three-member team a year to work out.
At the time, several organizations were trying to design software for
community radio, but technical challenges held up progress.

"The workflow domain for community radio is unknown," says Chandrasekharan,
whose previous job, at the Indian Space Research Organisation in
Thiruvananthapuram, was to map the flight patterns of spaceships.

The GRINS software comes pre-programmed on a black box that hooks up to a
computer terminal. Seth, Karodia and Chandrasekharan began buying and
experimenting with readymade hardware components to come up with the design
for the black box.

They started with a playlist manager, running songs all night in their south
Delhi office until they had a system that wouldn't break down.

At first, Karodia says, they struggled to integrate the different
requirements of the programmes they wanted to run, while creating a platform
that would be robust enough to work non-stop in rural areas.

When they had a successful playlist manager, they started working on an
inbuilt application for GRINS, one that would allow for incoming phone calls
to go directly into the computer. Most community radio stations, including
Gurgaon Ki Awaaz, have a separate bank where a worker answers the phone and
records phone calls onto a tape. The tape is then input into the system.

"GRINS has made it easier," says Amrit, a former construction worker who now
produces an entrepreneurship programme on Gurgaon Ki Awaaz. He doesn't use a
second name. "Now we can edit programmes and just put them into the system."

Before they went live, the station used iTunes to manage its most popular
offerings, a vast library of Bhojpuri and Haryanvi folk songs.

*Following the money*

Seth says the company's goal is to transform the way people in underserved
communities—both urban and rural—receive media. But Gram Vaani's financial
future depends on charting a course through an industry that has struggled
to find viable business models.

Three years ago, the ministry of information and broadcasting opened up the
community radio spectrum to allow nonprofits to establish stations, a right
previously restricted to colleges.

The goal was to eventually have 4,000 stations. So far, there are 68, and
most of them are university stations, funded by colleges and staffed by
students.

"Most community radio stations can't even cover their capital costs," says
R. Sreedher, director of the Commonwealth Educational Media Centre for Asia.
"There is no viable model."

"With community radio, there is always a risk that even if a station has a
use for the software, they won't be able to afford it," says Seth. GRINS is
open source, which means it's free. Gram Vaani charges Rs55,000 for the
black boxes, which includes a markup, although stations have the option of
buying hardware on their own and installing GRINS.

The company recently tied up with *Nomad India Network*, a Mumbai-based firm
that installs low-priced transmitters in community radio stations. Now,
Nomad installs GRINS with its transmitters. Gram Vaani engineers perform
training, but they charge for it.

But even with these streams of income, revenue has to be expanded. The
eventual plan is to move beyond community radio to create voice, SMS and
other media applications that become local platforms for sharing
information, even outside the context of community radio. "Radio is a
one-way model," says Seth. "You receive it and listen to it. We want
interaction."

In a few months, they plan to introduce a voice-SMS application, one that
runs both on GRINS and independently. A caller dials a number and leaves a
message, and other callers can dial the number and listen to the message, as
well as leave their own messages, creating a question-answer forum.

"Radio stations can use the app to conduct polls," says Seth. They're also
talking about a tie-up with an American researcher who's trying to create
similar technology for farmers in rural areas.

In order to make a profit, the company will have to convince potential
buyers. "We want big companies to come to us. Let's say Reliance has a
programme that they want to advertise to farmers. They could do it through
us," says Seth. "We would bridge the last mile."

*YES WE CAN*

*Gram Vaani *

*Started:* January 2009

*Made in India:* GRINS, a software platform for community radio management.

*feedback@livemint.com*


GEORGE LESSARD <http://www.flickr.com/photos/george-lessard/sets/129389/>
Information, Communications and Media
Specialist<http://www.scribd.com/doc/22827994/George-Lessard-s-Biography>
Spécialiste en l'information, communications et
media<http://www.scribd.com/doc/22452454/George-Lessard-s-Biography-in-French>
451 Norseman Dr. <http://ow.ly/18yEP>
Yellowknife<http://www.flickr.com/photos/george-lessard/collections/72157600000540210/>,
Northwest Territories<http://www.flickr.com/photos/george-lessard/collections/72157600039417322/>
X1A 2J1, Canada
Yellowknife Land Line # (867) 873-2662
Yellowknife Cell # (867) 445-9193
E-mail: mediamentorATgmailDOTcom
Website <http://mediamentor.ca/> <http://mediamentor.weebly.com/maps.html>
mediamentor.ca
Twitter Feed on Northern & First Nations
Issues<http://twitter.com/Northern_Clips>
Twitter Feed on Journalism & Media Issues <http://twitter.com/mediamentor>
Twitter Feed on Community Radio Worldwide<http://twitter.com/creative_radio>
Member:
Canadian Association of Journalists <http://www.caj.ca/>
Canadian Artists Representation / le Front des artistes
canadiens<http://www.carfac.ca/>
Canadian Artists Representation Copyright Collective <http://www.carcc.ca/>

Chat [image: Skype:] themediamentor
My Feeds of Interest Facebook
<http://www.facebook.com/mediamentor>Flickr<http://www.flickr.com/photos/george-lessard/sets/>
del.icio.us <http://del.icio.us/themediamentor>Linkedin<http://ca.linkedin.com/in/mediamentor>

--- @ WiseStamp
Signature<http://my.wisestamp.com/link?u=pjqxvqzjjxppyzxx&site=www.wisestamp.com/email-install>.
Get it now<http://my.wisestamp.com/link?u=pjqxvqzjjxppyzxx&site=www.wisestamp.com/email-install>


[Non-text portions of this message have been removed]

------------------------------------

--
This e-mail service is edited, managed and moderated by
George Lessard http://mediamentor.ca

Messages posted here are now automatically posted on Twitter at:
https://twitter.com/creative_radio

Make a donation via PayPal:
http://members.tripod.com/media002/make-a-donation-via-paypal.html

Creative-Radio is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

Creative-Radio Moderator
mediamentor@_NO_SPAM_gmail.com
Remove _NO_SPAM_ for use

RSS feed:
http://rss.groups.yahoo.com/group/creative-radio/rss

Change your subscription
- to daily digest mode by sending a blank message to:
creative-radio-digest@yahoogroups.com

- to individual e-mails by sending a blank message to:
creative-radio-normal@yahoogroups.com

- delivery on hold by sending a blank message to
creative-radio-nomail@yahoogroups.com

Caveat Lector- Disclaimers, NOTES TO EDITORS
& (c) information may be found @
http://members.tripod.com/~media002/disclaimer.htm
This work is licensed under a
Creative Commons Developing Nations license.
http://creativecommons.org/licenses/devnations/2.0/
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Because of the nature of email & the WWW,
please check ALL sources & subjects.
Members who post to this list retain their copyright but grant a non-exclusive license to others to forward any message posted here. They also grant the list owner permission to maintain an archive or approve the archiving of list messages.
Other use of e-mail to this list requires the permission of individual writersYahoo! Groups Links

<*> To visit your group on the web, go to:
http://groups.yahoo.com/group/creative-radio/

<*> Your email settings:
Individual Email | Traditional

<*> To change settings online go to:
http://groups.yahoo.com/group/creative-radio/join
(Yahoo! ID required)

<*> To change settings via email:
creative-radio-digest@yahoogroups.com
creative-radio-fullfeatured@yahoogroups.com

<*> To unsubscribe from this group, send an email to:
creative-radio-unsubscribe@yahoogroups.com

<*> Your use of Yahoo! Groups is subject to:
http://docs.yahoo.com/info/terms/

[creative-radio] Sound: Fellowships at Cornell Society for the Humanities

 

---------- Forwarded message ----------
From: Timothy Murray <tcm1@cornell.edu>
Date: 19 August 2010 07:30
Subject: Sound: Fellowships at Cornell Society for the Humanities
To: FILM-PHILOSOPHY@jiscmail.ac.uk

PLEASE CIRCULATE

CORNELL SOCIETY FOR THE HUMANITIES FELLOWSHIPS 2011-2012
SOUND: CULTURE, THEORY, PRACTICE, POLITICS

Timothy Murray, Director of the Society for the Humanities, is pleased to
announce the 2011-2012 research focal theme: "Sound: Culture, Theory,
Practice, Politics." Six to eight Fellows will be appointed.

CALL FOR FELLOWSHIP APPLICATIONS

The Society for the Humanities invites scholars to reflect this year upon
the theme of "Sound: Culture, Theory, Practice, Politics" as a means of
analyzing the resonance of historical and contemporary representations,
movements, ideas, and negations of sound.

Representations of sound abound in visual, textual, and aural realms.
Storytelling, poetry, music, theater, oral histories, political speeches,
and noise find their way in and out of texts, images, and recordings as
various kinds of sound travel through different media. >From "voicing" to
"listening," sound shapes the framework of much critical and philosophical
analysis of the body, affect, and social publics. How does sound function in
establishing parameters of psycho-cultural imaginaries, social practice,
religious ritual, and political regulation across the globe? How do
manifestations of sound differ in the global context of capitalism and
cosmopolitanism, not to mention the specificities of ethnic difference and
cultural diversity?

How are "voice," "hearing," and "listening" defined in various disciplines
and in relation to aesthetic properties of the disciplines, such as meter,
rhythm, montage, and amplification? What criteria are used for
differentiating natural from artificial sounds? Does sound challenge
disciplinary distinctions between the visual the oral/aural/tactile? Can the
loud noises of industrial culture be distinguished from the synthetic sounds
of electronic music, the stammerings of performance and philosophical
manifestos, and the burps and sighs of the comics and cinematic sound
tracks?

Beyond music's embodiment of sound as artistic form, applicants are welcome
to consider the broader sense of sonic environments, the role of silence in
private and public space and performance, and the ways in which sound
underlies life itself (the "pink noise" of earthquakes and ocean currents)
as well as the negative sense of pollution (environment) or weapon (torture
and warfare). Possible topics might include the use of sound to mark the
passage of time; the correlation of sound to the movement of the body in
dance and performance; deafness and disability studies; the sonic promise of
sonic cartographic projects of social movements and migrations. Of equal
import are the cultural impact of the electronic and digital age and the
harmonious collusion of the virtual and the visceral in internet-driven
communities. Fellows might also consider sound's importance to visual
studies, the cultural and ethnic specificity of acoustic fields and rhythms
in the age of sampling and mixing, and the gender import of voice and spoken
narrative.

This interdisciplinary invitation is open to study of the broadest
cross-cultural range of contexts and media that cross the boundaries of time
and space, from East and West/South and North.
QUALIFICATIONS

Fellows should be working on topics related to the year's theme. Their
approach to the humanities should be broad enough to appeal to students and
scholars in several humanistic disciplines.

Applicants must have received the Ph.D. degree before January 1, 2010. The
Society for the Humanities will not consider applications from scholars who
received the Ph.D. after this date. Applicants must also have one or more
years of teaching experience which may include teaching as a graduate
student.

APPLICATION PROCEDURES

The following application materials must be postmarked on or before October
1, 2010. Faxed applications will not be accepted.

1. A curriculum vitae and a copy of one scholarly paper no more than 35
pages in length. Applicants who wish to have their materials returned
should enclose a stamped, self-addressed envelope.
2. A one-page abstract in addition to a detailed statement of the research
project the applicant would like to pursue during the term of the fellowship
(1,000-3,000 words). Applicants are also encouraged to submit a working
bibliography for their projects. 3. A brief (two-page) proposal for a
seminar related to the applicant's research. Seminars meet two hours per
week for one semester (fourteen weeks) and enrollment is limited to fifteen
graduate students and qualified undergraduate students.
4. Two letters of recommendation from senior colleagues to whom candidates
should send their research proposal and teaching proposal. Letters of
recommendation should include an evaluation of the candidate's proposed
research and teaching statements. Please ask referees to send their letters
directly to the Society. Letters must be postmarked on or before October 1,
2010.

Send 3 copies of the full application and letters of recommendation to:

Program Administrator
Society for the Humanities
A.D. White House
27 East Ave.
Cornell University
Ithaca, NY 14853-1101
For further information:
Phone: 607-255-9274
Email: humctr-mailbox@cornell.edu
Website: www.arts.cornell.edu/sochum/

Awards will be announced by the end of December 2010.
Note: Extensions for applications will not be granted. The Society will
consider only fully completed applications. It is the responsibility of
each applicant to ensure that ALL documentation is complete, and that
referees submit their letters of recommendation to the Society before the
closing date. Emailed applications will not be accepted.

The Society for the Humanities
The Society for the Humanities was established at Cornell University in 1966
to support research and encourage imaginative teaching in the humanities.
It is intended to be at once a research institute, a stimulus to
educational innovation, and a continuing society of scholars.
In addition to promoting research on central concepts, methods or problems
in the humanities, the Society for the Humanities seeks to encourage serious
and sustained discussion between teachers and learners at all levels of
maturity.

Fellowships
Fellows include scholars from other universities and members of the Cornell
faculty released from regular duties. The fellowships are held for one
academic year. Each Society Fellow will receive $45,000. Applicants living
outside North America are eligible for an additional $2,000 to assist with
travel costs.

--
Timothy Murray
Director, Society for the Humanities
http://www.arts.cornell.edu/sochum/
Curator, The Rose Goldsen Archive of New Media Art, Cornell Library
http://goldsen.library.cornell.edu
Professor of Comparative Literature and English
A. D. White House
27 East Avenue
Cornell University
Ithaca, New York 14853

[Non-text portions of this message have been removed]

__._,_.___
Recent Activity:
--
This e-mail service is edited, managed and moderated by
George Lessard http://mediamentor.ca

Messages posted here are now automatically posted on Twitter at:
https://twitter.com/creative_radio

Make a donation via PayPal:
http://members.tripod.com/media002/make-a-donation-via-paypal.html

Creative-Radio is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

Creative-Radio Moderator
mediamentor@_NO_SPAM_gmail.com
Remove _NO_SPAM_ for use

RSS feed:
http://rss.groups.yahoo.com/group/creative-radio/rss

Change your subscription
- to daily digest mode by sending a blank message to:
creative-radio-digest@yahoogroups.com

- to individual e-mails  by sending a blank message to:
creative-radio-normal@yahoogroups.com

- delivery on hold  by sending a blank message to
creative-radio-nomail@yahoogroups.com

Caveat Lector- Disclaimers, NOTES TO EDITORS
&  (c) information may be found @
http://members.tripod.com/~media002/disclaimer.htm
This work is licensed under a
Creative Commons Developing Nations license.
http://creativecommons.org/licenses/devnations/2.0/
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Because of the nature of email & the WWW,
please check ALL sources & subjects.
Members who post to this list retain their copyright but grant a non-exclusive license to others to forward any message posted here. They also grant the list owner permission to maintain an archive or approve the archiving of list messages.
Other use of e-mail to this list requires the permission of individual writers
.

__,_._,___

[creative-radio] [ Press ] "Ode Buat Kota" BANGKU TAMAN akan rilis 20 Agustus 2010

 



In¬die pop outfit Bangkutaman is
back and in a new phase of musical maturity.

-Jakarta Post-

 

"I'd like to see Bangkutaman when
I came to Jakarta again."

-Ian Brown (The Stone Roses)-

 

"Segenap kisah penat Bangkutaman
setelah pindah ke Jakarta, disajikan dalam lirik-lirik yang satir dan puitis."

-Hai Online-

 

"Eksistensi band ini dan
aktivitas para personilnya diluar band yang menjadikan mereka pelopor munculnya
scene musik indiepop yang benar-benar hidup di Yogyakarta."

- Yesnowave.com-

 

"Kurang afdol kiranya jika
menggemari musik pop underground jika tidak mengidolai Bangkutaman.

-Dab Magazine-

 

"Ode Buat Kota menggambarkan
bagaimana band indiepop Jogja ini meresapi betul kehidupan barunya di Jakarta.
"

-Jakarta Beat-

 

Semakin ke depan, Bangkutaman
semakin memperlihatkan 'warna' musik mereka."

-Suara Merdeka-

 

"Bangkutaman bagaikan anak bandel
yang selalu kesulitan naik kelas hingga akhirnya benar-benar naik kelas."

-David Tarigan- 

Siaran pers

SEBUAH ODE BUAT KOTA

 

Dengan tempat dan suasana baru,
band pop independen asal Yogyakarta, Bangkutaman, hadir dan meramaikan dunia
musik tanah air dengan album kedua yang bertajuk Ode Buat Kota.

Jakarta, 20 Agustus 2010- Band
asal Kota Gudeg, Bangkutaman kembali ke dunia musik tanah air dengan album
terbarunya. Band ini awalnya berdomisili di Yogyakarta sebelum akhirnya mereka
hijrah ke Jakarta dan memulai karirnya di Ibukota ini. Bertajuk  Ode Buat
Kota, ini adalah album terbaru sekaligus kedua mereka setelah Love Among The Ruins, album perdana yang
dirilis tahun 2003 oleh Blossom Records. Saat ini, Bangkutaman berada di bawah
bendera Jangan Marah Records, perusahaan rekaman yang  menaungi band-band seperti Efek Rumah Kaca
dan Zeke Khaseli.

Terbentuk di
Yogyakarta pada tahun 1999, Bangkutaman adalah band yang semua personilnya
beranggotakan mahasiswa asal Jakarta yang tengah menempuh studi di kota gudeg
ini. Mengalami beberapa kali pergantian personil sampai akhirnya mereka
menemukan formasi solid-nya: J. Irwin [gitar], W. Nugroho [bas, vokal,
harmonika], D. Eryanto [dram]. Oleh banyak komunitas musik di Yogyakarta, band
ini awalnya dikenal dengan pergerakan bawah tanah-nya yang mungkin di akhir
1990-an saat itu tidak lazim dilakukan oleh sebuah band pop. Budaya
'Do-It-Yourself' [D-I-Y] yang erat dilakukan oleh komunitas punk lantas
diadopsi band ini yang berbuah kepada sejumlah katalog rilisan awal yang
semuanya diproduksi dan diedarkan sendiri.

                Ode Buat Kota adalah hasil dari hijrah
ketiga personilnya ke ibukota, Jakarta. Ketiganya lantas bertransformasi, dari
tiga mahasiswa yang bergelut di lingkungan kampus dengan  tugas kuliah, menjadi tiga manusia kantoran
dihadapkan dengan lika liku kehidupan kota. Dari padatnya lalu lintas, masalah
transportasi, kemiskinan, perilaku orang kota, serta beragam pernak pernik dan
siasat hidup di kota. Bertiga, mereka ibarat tripod yang menopang
kamera-ekspresi musik mereka-yang mencoba merekam apa yang mereka lihat, dengar
dan rasakan, tentang kehidupan kota.

Ini lah Ode Buat Kota, sebuah dokumentasi
terkini tentang kota dan Jakarta. Selamat menikmati.

Diskografi Bangkutaman

Studio Album

Love Among The Ruins | rilis 2003 | Blossom Records

Ode Buat Kota | rilis 2010 | Jangan Marah Records |
Demajors

 

Mini album
[EP]

s/t | rilis 2000 | bangkutaman records

Fantasi | 2002| Blossom Records

Garage Of The Soul | rilis 2005 | Blossom Records

 

Kompilasi
[Album]

Ready Steady Go! | rilis 2007 |Equinox DMD [untuk
pasar i-tunes international]

IX | rilis 2009 | Yes No Wave

 

Kompilasi
[Single]

Simplicity: A Blossom Compilation | rilis 2003 |
Blossom records

Parc Riot: A Thusrday Riot Compilation | rilis 2006
| Parc Suddenly/Kenanga Records

Retrospective Compilation #5 | rilis 2010 | Series
Two [Nebraska]

 

Singles
[RBT] - Indonesia

Ode Buat Kota

 

Singles
[RBT] - untuk pasar Singapura, Malaysia dan Brunei Darrusalam

She Burns The Disco

Satelit

Starlight In Her Eyes

Dream Come True

Trapped In The Middle

Finding Rainbow

 

Salam,

Nessa

Radio Promotion

Jangan Marah
Records

Email     : ness.1989@yahoo.com

YM         : bensin_mahal_bed@yahoo.com

Phone   :
085719316899

Yurie
Promotion
Efek Rumah Kaca
Jangan Marah records

YM : yurskie_erk@yahoo.com
email : yurskie@gmail.com
Twitter : @janganmarah @efekrumahkaca @yuraiii
Pin by Japri

[Non-text portions of this message have been removed]

__._,_.___
Recent Activity:
--
This e-mail service is edited, managed and moderated by
George Lessard http://mediamentor.ca

Messages posted here are now automatically posted on Twitter at:
https://twitter.com/creative_radio

Make a donation via PayPal:
http://members.tripod.com/media002/make-a-donation-via-paypal.html

Creative-Radio is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

Creative-Radio Moderator
mediamentor@_NO_SPAM_gmail.com
Remove _NO_SPAM_ for use

RSS feed:
http://rss.groups.yahoo.com/group/creative-radio/rss

Change your subscription
- to daily digest mode by sending a blank message to:
creative-radio-digest@yahoogroups.com

- to individual e-mails  by sending a blank message to:
creative-radio-normal@yahoogroups.com

- delivery on hold  by sending a blank message to
creative-radio-nomail@yahoogroups.com

Caveat Lector- Disclaimers, NOTES TO EDITORS
&  (c) information may be found @
http://members.tripod.com/~media002/disclaimer.htm
This work is licensed under a
Creative Commons Developing Nations license.
http://creativecommons.org/licenses/devnations/2.0/
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Because of the nature of email & the WWW,
please check ALL sources & subjects.
Members who post to this list retain their copyright but grant a non-exclusive license to others to forward any message posted here. They also grant the list owner permission to maintain an archive or approve the archiving of list messages.
Other use of e-mail to this list requires the permission of individual writers
.

__,_._,___