Saturday 12 September 2009

[creative-radio] Call For Submissions / New Adventures in Sound Art / HOME - Deep Wireless, Sound Travels & SOUNDplay Festivals

 

Call For Submissions / New Adventures in Sound Art / HOME - Deep Wireless,
Sound Travels & SOUNDplay Festivals / Toronto, ON / Deadline Date:
Wednesday, September 30, 2009

New Adventures in Sound Art invites artists of all ages and nationalities
to submit works on the theme HOME for consideration in 2010 future
programming for the annual Deep Wireless, Sound Travels, and SOUNDplay
festivals, produced by New Adventures in Sound Art in Toronto, Canada.

Artists may submit works in one or all of the following four categories:
1) Radio Art,
2) Electroacoustic Music & Sound Art,
3) Videomusic and
4) Installation Art (Note: please send separate submission forms for each
entry).

Individual interpretations or variations on the theme HOME are encouraged,
but should be realized with sound as the primary component.

All submitted works must respond in some way to the theme HOME in order to
be considered for 2010 NAISA programming.

1) Radio Art (for Deep Wireless)
The Radio Art category is for works conceived for radio or that use radio
and other wireless technology in their creation and that play with the
medium. Works submitted to this category must be less than 60 minutes in
duration. Special consideration will be given to 1 minute radio art pieces
for broadcast as well as 1 page proposals for collaboration on translocal
broadcast performances.

Pieces will be selected for broadcast within Canada and on several
international radio stations in May 2010 as part of the Deep Wireless
Festival of Radio and Transmission Art.

Both Canadian and International radio art submissions will be considered
for inclusion in the following:

-The Deep Wireless 7 radio art compilation CD
-The Radio Art Interventions (1 minute pieces played guerilla-style on
radio stations during the Deep Wireless festival)
-The Radio Art Salon - a listening gallery of radio art works exhibited
for the month of May.

2) Electroacoustic Music & Sound Art (for Sound Travels)
The Electroacoustic Music & Sound Art category is for multi-channel and
stereo works less than 20 minutes in duration and conceived for concert
performance or presentation in the Sound Travels festival of sound art.
Preferred formats for performance presentation include 5.1, octaphonic, 12
and 16-channel formats in both acousmatic (tape), live and mixed formats.
Please indicate in the notes the intended format of presentation and any
required instrumentation or specialized equipment.

3) Videomusic (for SOUNDplay)
The Videomusic category is for works that explores non-narrative
abstraction with equal emphasis on sound and image. Submitted works will
be considered for video screenings with either stereo or multi-channel
playback. Submitted works will be considered for screenings in either a
performance venue or a small-size gallery alongside other works selected
from this call for submissions.

4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay)
Installation proposals of previously realized works for site-specific and
gallery installations with no fixed duration will be considered for
presentation as part of Deep Wireless, Sound Travels or SOUNDplay.
Site-specific works can be for indoor or outdoor locations. Works can use
multichannel or single channel playback and may incorporate any number of
media, but must feature original sound as a primary element. Preference
will be given to small to medium scale interactive works that appeal to
all ages. Please attach a list of the necessary equipment required to
mount the installation and which of these items can be supplied by the
artist. Submissions should include audio, video or audio-video
documentation of previously realized versions of the work.

Submission Guidelines

Please submit a completed submission form (in digital format if possible)
along with the proposed works on CD or DVD.

For multichannel works, please include a stereo reduction for reference
purposes only. For video works, please include a DVD copy for reference
only. Screening and multi-channel masters will be requested later if the
work is to be programmed. For installation works or performance proposals,
please attach a list of required equipment with indications of equipment
that can be supplied by the artist.

Materials will not be returned. Please don't send original copies.

Submissions must be postmarked no later than September 30, 2009 and mailed
to: New Adventures in Sound Art
601 Christie Street #252
Toronto ON M6G 4C7

Visit http://www.naisa.ca for more information.

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[creative-radio] Furthernoise issue September 2009

---------- Forwarded message ----------
From: info <info@furtherfield.org>
Date: 2009/9/12
Subject: [Syndicate] Furthernoise issue September 2009
To: syndicate@ck13.org


Sorry for any cross posting...

For your reading listening pleasure there is a new issue of
furthernoise.org online, sister sister site of furtherfield.org
Range of reviews below.

Furthernoise issue September 2009
http://www.furthernoise.org/index.php?iss=82

"Audiobulb profile" (review)
Audiobulb is a Sheffield-based exploratory music label promoting the
cause of innovative electronica. Label curator, David Newman, has
overseen a flurry of activity over the past couple of years, and this
profile features four of Audiobulb's most recent releases, from a
location-inspired compilation to a work driven by an experimental sound
generator.
http://www.furthernoise.org/page.php?ID=305
review by Alan Lockett

"Christian Vasseur – Poèmes Saturniens and Alam" (review)
Christian Vasseur is a French guitarist who works with a range of
instruments. His work is inspired by impressionist composers like
Debussy, as well as more contemporary musicians and progressive rock
bands.Poèmes Saturniens (Conch 002) and Alam (Conch 003) are two of his
releases on Humming Conch.
http://www.furthernoise.org/page.php?ID=307
review by Alex Young

"Essay: Capitatio Benevolentiae - Piracy, Capital, and the Culture of
Digital Sound - Frank Rothkamm" (review)
The piracy of digital sound content is an act of trade, an exchange
between the creator of sound recordings and the listener thus defined:
The creator gets nothing and the listener gets everything. But the
accumulation of digital capital is different from that of its material
counterpart; there is no intrinsic value in digital capital.

Photograph - Glenn Wolsey
http://www.furthernoise.org/page.php?ID=303
review by Frank Rothkamm

"Fast Falls the Eventide by Dead Voices on Air" (review)
Dead Voices on Air, was originally a trio consisting of Scott Harker,
Clancy Dennehey, and ex-Zoviet France's Mark Spybey. Fast Falls the
Eventide marks DVOA's 11th album where now we find Spybey solely at the
helm. This ship sails the waters off a strange musical continent, a land
where world music fuses disembodied, electronic-rumbling drones inside
vast reverberant architectures.
http://www.furthernoise.org/page.php?ID=304
review by Derek Morton

"Luminous Air and Delicate Accidents" (review)
A delicate rice-paper cover for a clear vinyl release is the maiden
release for Tobira Records. New Works for Processed Electric Guitar
presents a shimmering soundscape with elusive harmonies from Richard
Lainhart and a warm, prickly cloud of gently swirling melodic lines from
Japanese guitarist Hakobune.
http://www.furthernoise.org/page.php?ID=302
review by Caleb Deupree

"noise=noise - The Basement Series" (review)
Submerged in the basement vault of a pub in central London every
Wednesday night in August, noises began to crackle, and light began to
spark for noise=noise's The Basement Series. Featuring over forty
international and UK artists from a wide range of practices and
backgrounds, it was set up and run with absolutely no funding or money
involved what so ever.
http://www.furthernoise.org/page.php?ID=308
review by Ryan Jordan

"XVI Reflections on Classical Music - Various" (review)
Musical genres as any aficionado will tell you have historically grown
out of a reaction to the fetishism of the previous era. Whether it be
the quest for balance and harmony emanating from the disjointed ashes of
Baroque or Debussy's longing for dissonance from the melodic
sentimentalism of Bed&#345;ich Smetana, they all tend to be motivated by
periodical ennui of what has gone before.
http://www.furthernoise.org/page.php?ID=306
review by Roger Mills

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--
This e-mail service is edited, managed and moderated by
George Lessard http://mediamentor.ca

Make a donation via PayPal:
http://members.tripod.com/media002/make-a-donation-via-paypal.html

Creative-Radio is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

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Change your subscription
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Caveat Lector- Disclaimers, NOTES TO EDITORS
& (c) information may be found @
http://members.tripod.com/~media002/disclaimer.htm
This work is licensed under a
Creative Commons Developing Nations license.
http://creativecommons.org/licenses/devnations/2.0/
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Members who post to this list retain their copyright but grant a non-exclusive license to others to forward any message posted here. They also grant the list owner permission to maintain an archive or approve the archiving of list messages.
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